1 25 361 https://dlib.indiana.edu/omeka/mathers/files/original/af4bb463b2335f4f31d3c189ffd1f5fa.jpg 12d29145d545030f04b7437dd3d08f3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Ring Object Object type, represented by lower case word or phrase. Ring Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Zuni ring in an oval shape with many small inlaid turquoise stones. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 3.3 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 3 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Cloth, Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The ring was cast, hammered, soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good condition- the silver is chipped a bit and there is some tarnish on it. The ring also shows some signs of wear. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-028 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Cataloging: Consulted References Use this field to list main sources of information. Southwestern Indian Arts & Crafts by Tom Bahti Southwest Indian Craft Arts by Clara Lee Tanner Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/d6e4ec1822b3c5ddb4659d0054e5cb7b.jpg bd71284600e4acf7ef24dc3de61b1616 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Ring Object Object type, represented by lower case word or phrase. Ring Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A large oval Zuni silver ring with turquoise inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 4 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 3.3 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1.5 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The ring was cast, hammered, forged, soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), and polished Maker The person or entity who/which made the artifact. CJK Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good condition with some dust on it. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-030 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-030 and MM485-031 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: A maker's mark, "CJK Zuni" appears on the back of the ring. However, I cannot find the actual name of the maker. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/eb90d181d23a705f15367214e6765815.jpg ba2fe0a01778a356a0ac2552f27742f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Pin Object Object type, represented by lower case word or phrase. Pin Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A circular Zuni pin with a flower shape in the middle and many small turquoise stones Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 4 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The pin was cast, forged, hammered, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This pin is in very good condition with the only issues being some tarnish and dust. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-068 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/a0a3035f1143087c1eb5a34143f2cae9.jpg 4efef0a2f2618e2474c55b7d3ef805cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Earrings Object Object type, represented by lower case word or phrase. Earrings Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Silver Zuni earrings with turquoise stones and flower motifs. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 1.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver and gold), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The earrings were cast, hammered, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The earrings are in very good condition with the only issues being some general wear and use. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-006 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/938f245e6068e40c206d2300118bd010.jpg 8b1c1be5652090335c31f6b26163311a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Bracelet Object Object type, represented by lower case word or phrase. Bracelet Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Zuni bracelet with turquoise inlay Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 6.3 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 6.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The bracelet was cast, hammered, forged, bent soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise) and polished. Maker The person or entity who/which made the artifact. CJK Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Excellent condition with no visible issues. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-031 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-030 and MM485-031 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: The back of the bracelet has a maker's mark of "CJK" and an illegible word underneath the monogram. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/2f79eb0f5335a206dc02093030fbd633.jpg 489dbbfd30087740933fce441a0289dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Sun Face Ring Object Object type, represented by lower case word or phrase. Ring Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A multicolored circular Zuni ring with various stones depicting the sun face motif. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 2.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2.3 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 2 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise, jet, coral, mother of pearl) Construction Method(s) or technique(s) used in the construction of the artifact. The ring was cast, hammered, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Channel inlay (turquoise, jet, coral, mother of pearl), Polished, Granulation, Filigree Maker The person or entity who/which made the artifact. Roger and Lela Cellicion Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The ring is in very good condition with the only issue being a few small chips in the stones. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-076 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-076, MM485-077, MM485-078, MM485-079 State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: When looking at southwestern native jewelry symbols, I found that the symbol being depicted on this ring is the sun symbol or the "sun face" symbol. When trying to determine the culture of the ring, I found it to be Zuni based on research. The back of the ring has "RLhC" on it, though I could be wrong about the "h." After some research, I believe this to be the maker's mark of Roger and Lela Cellicion. I found this because MM485-078 has "Lela Roger Cellicion" inscribed on the back. Since this ring is a part of the set with MM485-078 and the initials on the back of the ring match their names, it seems safe to say that they are the makers of this ring. Research on Roger and Lela Cellicion also show that they are Zuni. Cataloging: Consulted References Use this field to list main sources of information. https://www.etsy.com/listing/1041651483/vintage-roger-and-lela-cellicion-zuni Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/375676f93ac6daaaf61d30bc1e2e1d86.jpg 67a30d526f622997568bfd5515749c93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Sun Face Earrings Object Object type, represented by lower case word or phrase. Earrings Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Zuni multicolored tiered earrings with various stones depicting the sun face symbol. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 7.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (coral, turquoise, jet, mother of pearl) Construction Method(s) or technique(s) used in the construction of the artifact. The earrings were cast, hammered, bent, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Channel inlay (jet, coral, turquoise, mother of pearl), Polished, Granulation, Filigree Maker The person or entity who/which made the artifact. Roger and Lela Cellicion Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The earrings are in very good condition with some tarnish on the silver and a few small chips in the stones. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-077 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-076, MM485-077, MM485-078, MM485-079 State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: On the back of each earring "R.L.C" is inscribed, denoting these earrings were made by Roger and Lela Cellicion. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/41591fee9eb487147a90236b7635f84e.jpg 6340115bac758c7093ccaac8b1d84cd2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Snake Ring Object Object type, represented by lower case word or phrase. Ring Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Zuni ring with turquoise inlay and a snake motif. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 3cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The ring was cast, hammered, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), carved, and polished Maker The person or entity who/which made the artifact. Effie Calavaza Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Good condition- there is a fair amount of tarnish and shows general signs of wear and use. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-026 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Comments Object History Information about origins, condition, date, etc. of this particular object. This ring belonged to the donor's husband. Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: This ring has an identical snake motif and stones that object MM485-032 has. Based on this, I believe that this ring was made by the same person that made MM485-032 which was identified to be Effie Calavaza. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/ca483839654f1ad4dfae8926a3a7dcf5.jpg 1d27bba620fde1f931e242efa6d702ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Snake Buckle Object Object type, represented by lower case word or phrase. Buckle Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Zuni buckle with turquoise stone inlay and a snake motif made of silver. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 8.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 6 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver, Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The buckle was cast, hammered, soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Carved, Polished Maker The person or entity who/which made the artifact. Effie Calavaza Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The buckle is in very good condition with only a few minor issues. There is general signs of wear and use, along with minor tarnishing and one stone making the snake's eye is missing. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-033 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-027, MM485-033 State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: "Zuni" and "Effie C" are stamped on the back of the buckle. This appears to be the marking of the maker, as well as the culture of the item. Cataloging: Consulted References Use this field to list main sources of information. https://www.nativeamericanjewelry.com/pr/artist/effie-calavaza Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/9c1138507749e846c2a408ddc71f165a.jpg b0a9940c56c21c5939bc9a9c2f1ca8fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Rain Man Bolo Tie Object Object type, represented by lower case word or phrase. Bolo tie Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A braided rope bolo tie with a "rain man" motif made of silver and numerous stones. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 48.9 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 3.8 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Leather, Metal (silver), Stone (coral, jet, turquoise, mother of pearl) Construction Method(s) or technique(s) used in the construction of the artifact. The leather on the bolo tie was braided, and the silver pieces on the tie were cast, forged, hammered, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (coral, jet, turquoise, mother of pearl), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The bolo tie is in very good condition- though there is some minor tarnishing on the metal and a small piece of stone is missing from the right foot of the man. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-049 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Comments Object History Information about origins, condition, date, etc. of this particular object. This was Barbara Hanawalt's first piece in her collection. Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: There is an identical bolo tie listed on a website called shopthrilling.com. It labels that bolo tie as a Zuni piece with the "rain man" motif being shown. It labels the bolo tie on the site as being from the 1970s which indicates this piece could be from around the same time. Cataloging: Consulted References Use this field to list main sources of information. https://shopthrilling.com/products/70-s-zuni-rain-man-inlaid-bolo-tie Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/062528bc2b6bd7ec82f2a8a0c664cad1.jpg 50762e435348af23c73ff779b40b974d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Fetish Necklace Object Object type, represented by lower case word or phrase. Necklace Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A multi-strand Zuni fetish necklace with wolf, bear, badger, and eagle figurines. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 41 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 35 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise, coral, jet, other) Shell, Mother of Pearl, Ivory (fossilization) Construction Method(s) or technique(s) used in the construction of the artifact. Aspects of the necklace were cut, hammered, soldered, and carved. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (coral, turquoise) beaded, painted Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good (tarnish and residue) Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-005 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: This necklace is an example of "Zuni fetish" figurines (Bahti, 9) including wolf, bear, badger, and eagle. Cataloging: Consulted References Use this field to list main sources of information. Southwestern Indian Arts and Crafts by Tom Bahti Southwest Indian Craft Arts by Clara Lee Tanner Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/02ef1aeda062afc2b7cbbb3317a8e6eb.jpg 03f79b7cd165413f08ba7639a405635b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Cross Necklace Object Object type, represented by lower case word or phrase. Necklace Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A turquoise and silver beaded necklace with a cross pendant. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 43 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 33 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The necklace was hammered, cut, soldered, and strung. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Bead (silver), Pendant, Cast (sand), Stamped Maker The person or entity who/which made the artifact. Horace Iule Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The necklace is in good condition- there is moderate tarnish and verdigris around the settings on the pendant, as well as scratched on the back of the pendant. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-036 State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: This necklace was signed "H. Iule" on the back of the cross pendant. Horace Iule (1901-1978) was a 3rd generation silversmith. He taught jewelry making at Zuni Day School and was known to be a master Zuni silversmith. Cataloging: Consulted References Use this field to list main sources of information. adobegallery.com (cites The Navajo and Pueblo Silversmiths by John Adair, American Indian Jewelry by Gregory and Angie Schaaf) Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/b19397c2d551064d035bd2f5c76099c6.jpg 2efce0467b709ca5caacfc80f66a6183 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Coral Pin Object Object type, represented by lower case word or phrase. Pin Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Circular pin with coral stone inlay Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 9 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 4.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (coral) Construction Method(s) or technique(s) used in the construction of the artifact. The pin was cast, twisted, soldered and bent. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (coral), Polished Maker The person or entity who/which made the artifact. Lorraine Waatsa Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Excellent condition Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-058 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-056, MM485-057, MM485-058, MM485-059 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: The back of the pin has "LW" stamped on it which is the signature of Zuni artist Lorraine Waatsa Cataloging: Consulted References Use this field to list main sources of information. http://www.art-amerindien.com/hallmarks/l-indian-native-american-jewelry-marks.htm https://dlib.indiana.edu/omeka/mathers/files/original/405c51ef3638747d87bfd515766a03ef.jpg d9c96b1527eac16a0945c0084632b279 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Coral Earrings Object Object type, represented by lower case word or phrase. Earrings Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Zuni silver earrings with coral stone inlay Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 6.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2.2 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (coral) Construction Method(s) or technique(s) used in the construction of the artifact. The earrings were cast, stamped, twisted, soldered, and bent. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (coral) Polished Maker The person or entity who/which made the artifact. Lorraine Waatsa Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good condition- some incrust on the earrings. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-057 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-056, MM485-057, MM485-058, MM485-059 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: These earrings do not have a maker's mark on them, however, since they are deemed to be part of a set which includes 056 which does have a maker's mark that was found to be from the artist Lorraine Waatsa. This was also likely made by her. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/911daf614588aa0bfcdc53dee81f2c1f.jpg 976390389c5adb719ac277242980a8b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Bracelet Watch Object Object type, represented by lower case word or phrase. Bracelet Watch Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A Zuni silver and gold bracelet watch with turquoise stone inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 16 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2.5 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver and gold) Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The bracelet watch was cast, hammered, soldered, stamped, and filled (gold). Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This bracelet watch is in very good condition with the only issues being some general signs of wear and use, along with some scratches on the silver. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-011 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: On the back of the watch race are letters saying 10k gold filled S&M. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/5fab9fe8700b0baef32ab0e287892719.jpg 25bd3cecd00ea0d0d377dde214593773 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource World War I cemetery in Europe Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 2 Negatives: 1 nitrate 4x5.25 Image Date Date when image was taken. 1921 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6921 Type The nature or genre of the resource Still Image Continent Continent where the artifact was made. Europe Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/7570ea349e26dbe5dbb7deb9ce2a5c0a.jpg b80b407141fe9f0a97bc20683549f2eb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection Archive Object Object type, represented by lower case word or phrase. Approximately 25,000 pages of original documentation associated with the Wanamaker Collection of American Indian Photographs. Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This archive provides context for the Wanamaker Collection images and also provides information on a wide range of topics: photographic practices, department stores as educational facilities, lobbying efforts aimed toward improving Native living conditions and government treatment, and more. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Woods, Amos Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. WWQ_alVZ_042 Type The nature or genre of the resource Document Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. document military history native north america https://dlib.indiana.edu/omeka/mathers/files/original/5eee06b5fada68a6830dc701689837b6.jpg 2fc166490f0bef02644193435a5b5f32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wooded structure/ stairs with fenced in cross Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 3 Negatives: 1 nitrate 3.5 x 4.25 Image Date Date when image was taken. 1921 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-7296 Type The nature or genre of the resource Still Image Continent Continent where the artifact was made. Europe Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. military history photograph https://dlib.indiana.edu/omeka/mathers/files/original/2ccf7a2e580c023634632bc1066ba38c.jpg 970c5a5857700086eba5bd8aa7504893 https://dlib.indiana.edu/omeka/mathers/files/original/446dc967ba84b219e82e1a18fb12ac5b.jpg 2cf648f5493044294b5fb17a3d35d2d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Womens Purse Object Object type, represented by lower case word or phrase. drawstring purse Culture Ethnic designation or tribe of the person/group who made the artifact. Possibly Pashtun or Kuchai Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This purse is heavily embroidered with a beaded fringe. The bag is brightly colored with two tassels attached at the corners. Construction Method(s) or technique(s) used in the construction of the artifact. The purse is pieced together from four panels of fabric. There is a beaded fringe around the exterior edge and a beaded strap. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The purse is in good condition. There are signs of typical wear, missing fringe, and a minor tear. Source A related resource from which the described resource is derived Purchased from Afghan trader Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-8039 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/4800120d1254ca8bb8773414b813ca78.jpg dc9ff9403c80698a6e3675f61aef39d5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource William Hollowbreast Culture Ethnic designation or tribe of the person/group who made the artifact. Northern Cheyenne Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 1 Negatives: 1 nitrate 4 x 5.25” Description An account of the resource P.O. : Lame Deer, Montana Org: Battery B, 122nd F.A., 33rd Div. Volunteered 6/22/1917 Not a citizen 19 yrs. old Image Date Date when image was taken. June 12, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6487 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Camp Devens State State or recognized territory where the artifact was made. Massachusetts Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/dc596e3d6c262f606300f98cf37c9692.jpg e5771f1eb52f5a5859b438e167ae4e24 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection Archive Object Object type, represented by lower case word or phrase. Approximately 25,000 pages of original documentation associated with the Wanamaker Collection of American Indian Photographs. Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This archive provides context for the Wanamaker Collection images and also provides information on a wide range of topics: photographic practices, department stores as educational facilities, lobbying efforts aimed toward improving Native living conditions and government treatment, and more. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource White, Henry Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. WWQ_alVZ_017 Type The nature or genre of the resource Document Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. document military history native north america https://dlib.indiana.edu/omeka/mathers/files/original/2c6832d045b4df2b6281c26d0647c4e3.jpg 499ab4e595d2fd93d4997aefb80b8c28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Weeds Label https://dlib.indiana.edu/omeka/mathers/files/original/c47b8ff17a32010e28912be8670c944e.jpg c700ad618df59bc7960b7eca8e401e1d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Walter Keyes and Jacob Leader Culture Ethnic designation or tribe of the person/group who made the artifact. Pawnee Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 7 (6 prints. J.S. 1/99) Negatives: 1 nitrate 4 x 5.25” Description An account of the resource Camp Mills, Long Island. Tribe of both- Pawnee. Organization: 165th., 42nd Divsion, Stokes Mortar Platoon, H.Q. Co. Image Date Date when image was taken. May 2, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6387 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Camp Mills, Long Island State State or recognized territory where the artifact was made. New York Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/7d288088b94d666d5d62ca59e49647ba.tif 1e0b1d66f928d9232be3d355fcc32fee Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vincent Ostrom at Manitoulin Object Object type, represented by lower case word or phrase. photograph Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1968 Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Vincent and Elinor Ostrom Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. Box 1, Biographical/Family Papers, Folder "building house in Manitoulin, Canada" County County or geographical location where the artifact was made. Manitoulin Island State State or recognized territory where the artifact was made. Ontario Country Country where the artifact was made. Canada Continent Continent where the artifact was made. North America https://dlib.indiana.edu/omeka/mathers/files/original/a6c69e9eda303d30f2822f397ce03451.tif ecf859704ac21d850718b9b067aeefa7 Still Image A static visual representation. Examples of still images are: paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type "text" to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Vincent and Elinor Ostrom Object Object type, represented by lower case word or phrase. photograph County County or geographical location where the artifact was made. Manitoulin Island State State or recognized territory where the artifact was made. Ontario Country Country where the artifact was made. Canada Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Vincent and Elinor Ostrom Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. Box 1, Biographical/Family Papers, Folder "building house in Manitoulin, Canada" Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1968 Continent Continent where the artifact was made. North America