1 25 361 https://dlib.indiana.edu/omeka/mathers/files/original/9e83bf93b1c798b90787ebfdfc0a73ce.jpg e09e4b0a0ccb9cd15e51dc9243824b55 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Alphonse Bear Ghost" Culture Ethnic designation or tribe of the person/group who made the artifact. Sioux Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 1 Negatives: 1 nitrate 4 x 5.25” Description An account of the resource P.O.: Canon Ball, SD Org: Co. M, 26th Inf., 1st Div. One of “Pershings Own” Not a citizen Wounded, left arm, at Argonne Forrest Service - Montididier - St. Mihiel - cited for bravery - wears silver star for citation - Argonne Forrest. Photographed on his return from France, at Camp Merritt, N.J. His sergeant said of him: “I wished many time that all the boys in the American Army were like Bear Ghost.” Image Date Date when image was taken. September 14, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6490 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Camp Merritt State State or recognized territory where the artifact was made. New Jersey Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/7b1b11bd1ac7b32198c18760f21c5c5b.jpg b73605d392b3df16ca26b44bd2ea7cc2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Amando Garcia" Culture Ethnic designation or tribe of the person/group who made the artifact. Pueblo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 1 Negatives: 1 nitrate 4 x 5.25” Description An account of the resource P.O. address: Amomita, New Mexico Organization: Co. K, 110th Inf., 28th Div. Not a citizen Age: 18 years old Image Date Date when image was taken. May 17, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6409 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Camp Dix State State or recognized territory where the artifact was made. New Jersey Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/47c58252ce0de4c55affbbcbf2f18020.jpg b125c13347b20b61f69a1688d1b1464e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Felix Renville" Culture Ethnic designation or tribe of the person/group who made the artifact. Sissiton Sioux Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 5 Negatives: 1 nitrate 4 x 5.25” Description An account of the resource P.O. Address: Sissiton Agency, South Dakota Organization: 34th Mach. Gun Battn., 32nd Div. Wounded Verdun. Bone shot out back of right eye. Age: 22 yrs. Not a citizen. Image Date Date when image was taken. March 18, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6312 Type The nature or genre of the resource Still Image Address Locale - specific (address, quarter, etc.). Debarcation Hospital #3, Greenhut Building, 6th Ave. and 18th St. Locale City, town or other locale where the artifact was made. New York State State or recognized territory where the artifact was made. New York Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/fdb593a3a50a0afb423a4a993a767d4a.jpg 167a340ad2ecd0705120981b80d5b94f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Frank Reynolds" Culture Ethnic designation or tribe of the person/group who made the artifact. Cheyenne Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 5 Negatives: 1 nitrate 4 x 5.25” Description An account of the resource P.O.: Clinton, OK Org: Co. L, 3rd Battn., 358th Inf., 90th Div. OK citizen 25 yrs. old Image Date Date when image was taken. June 12, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6483 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Camp Devens State State or recognized territory where the artifact was made. Massachusetts Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/edc81cf0d416640b3ef73d2124ae7f77.jpg 21782f5674f24f2249f5ffaf54a97f94 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1025 Width 737 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "grinding corn native style" large postcard Object Object type, represented by lower case word or phrase. Photographic print; postcard Culture Ethnic designation or tribe of the person/group who made the artifact. Seminole Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Two women, dressed in Seminole clothing, standing across from each other on either side of a corn grinder in front of a structure with a thatched roof grinding corn. Inscription information recorded on the object. (back) Seminole Indians grinding corn, native style, in their home at Ross Allen’s Reptile Insititute, Slive Springs, Florida. Color Photo by J.R. Vagel Maker Culture Culture(s) creating object. Seminole Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Excel Source A related resource from which the described resource is derived Hilda Davis Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Hilda Davis Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1984-06-0323 Type The nature or genre of the resource photographic image Address Locale - specific (address, quarter, etc.). Rose Allen’s Reptile Insititute Locale City, town or other locale where the artifact was made. Slive Springs State State or recognized territory where the artifact was made. FL Country Country where the artifact was made. USA Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2009 CAT: Jenny Bean Rights Holder A person or organization owning or managing rights over the resource. unknown https://dlib.indiana.edu/omeka/mathers/files/original/4b958b4c61d29544fe0bf4e56ce75978.jpg e8ec74d57e3626722d660f94851cd792 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "John Whirlwind Horse" Culture Ethnic designation or tribe of the person/group who made the artifact. Oglala Sioux Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 10 Negatives: 1 nitrate 4 x 5.25” Description An account of the resource P.O. Address: Allen, S. Dakota Organization: Co. B, 160th Inf., 40th Div Wounded in Argonne Battle, bullet in shoulder Not a citizen Age: 27 Address received 12/29/1919: W.S. Gen Hosp. #28, Fort Sheridan, Ill. Ward 35. Image Date Date when image was taken. March 21, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6316 Type The nature or genre of the resource Still Image Address Locale - specific (address, quarter, etc.). Debarcation Hospital #5, Grand Central Palace Locale City, town or other locale where the artifact was made. New York State State or recognized territory where the artifact was made. New York Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/8c92b3b1b0523a97ed7577af0f80bf76.jpg b32baf1877165824c69025236af83566 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "PAUL WIDOW or CAME-AT-THE-CAMP" Culture Ethnic designation or tribe of the person/group who made the artifact. Cheyenne River Sioux Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 6 Negatives: 1 nitrate 4 x 5.25” Description An account of the resource Camp Merritt, N.J. Tribe- Cheyenne River Sioux. P.O. address: Cheyenne River Reservation S. Dak. Not a citizen: drafted. Organization: Co. D, 363rd Infantry, 91st Division. 27 years old. Image Date Date when image was taken. April 1, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6343 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Camp Merritt State State or recognized territory where the artifact was made. New Jersey Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/d61c2929a18dc29bcfa6b7e28f9a78f9.jpg dc14f0e045caf22d9b057a4fbbac0d30 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Salvaging Shoes at Camp Dix" Culture Ethnic designation or tribe of the person/group who made the artifact. European American Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 1 Negatives: 1 nitrate 4 x 5.25 Image Date Date when image was taken. April 2, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6428 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Camp Dix State State or recognized territory where the artifact was made. New Jersey Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/333f898b03351351ab6b2a18a171bdda.mp3 60f9d0797fd60625d537fc4ffc05a9dc https://dlib.indiana.edu/omeka/mathers/files/original/67274d715155cde51a27b80a513c4424.png 97624e9e3d216eb570d21e0171918b35 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 65-248-F, Minnesota, Red Lake and East Lake, Chippewa, Frank J. Gillis. Object Object type, represented by lower case word or phrase. audio clip Culture Ethnic designation or tribe of the person/group who made the artifact. Chippewa Ojibwe Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A field recording of the Chippewa (Ojibwe) peoples, recorded by Frank J. Gillis in 1965. Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1965 Source A related resource from which the described resource is derived Indiana University Archives of Traditional Music Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Frank J. Gillis Type The nature or genre of the resource Field recording https://dlib.indiana.edu/omeka/mathers/files/original/1c5188e356c38abea9b648cc67ccefc3.jpg 958cc283f7adda96c313417c7800dd14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource “Indian Mother and Child seated, full figure, holding cradle.” Object Object type, represented by lower case word or phrase. photograph Culture Ethnic designation or tribe of the person/group who made the artifact. Ojibwe; Chippewa Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. November 9, 1913 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. W3824 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. 1962-08-3824 2410 51 Locale City, town or other locale where the artifact was made. Cass Lake County County or geographical location where the artifact was made. Long Lake Reservation State State or recognized territory where the artifact was made. Minnesota Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Cataloged by Susan Applegate, 05/01/1978 photograph https://dlib.indiana.edu/omeka/mathers/files/original/b722f8061938c445e9e41afc56ba706f.jpg acde76382b5433bf4eea22899c3ac3fa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource “John Stillway, half length, nearly full face.” Object Object type, represented by lower case word or phrase. photograph Culture Ethnic designation or tribe of the person/group who made the artifact. Ojibwe; Red Lake Chippewa Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. November 10, 1913 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. W3830 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. 1962-08-3830 2416 57 Locale City, town or other locale where the artifact was made. Onigum County County or geographical location where the artifact was made. Leech Lake Reservation State State or recognized territory where the artifact was made. Minnesota Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Cataloged by Susan Applegate, 05/01/1978 photograph https://dlib.indiana.edu/omeka/mathers/files/original/9ed63d5f1bedabccfa5f1eb9af300391.jpg 9e7f6b238ef4a92dca2e408e6e54627a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource “Pe Dah Nah Quod, full figure standing, 7/8 face.” Object Object type, represented by lower case word or phrase. photograph Culture Ethnic designation or tribe of the person/group who made the artifact. Ojibwe; Chippewa Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. November 9, 1913 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. W3822 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. 1962-08-3822; 2408; 57 County County or geographical location where the artifact was made. Long Lake Reservation State State or recognized territory where the artifact was made. Minnesota Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Cataloged by Susan Applegate 05/01/1978 photograph https://dlib.indiana.edu/omeka/mathers/files/original/7b67e45f595e835f4aa22dae0047244b.jpg 57494d04327d3f2ef2e321af6b350109 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource “Peters, Ewing at attention with bayonet” Culture Ethnic designation or tribe of the person/group who made the artifact. Klamath Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 7 Negatives: 1 nitrate 4 x 5.25” Image Date Date when image was taken. April 2, 1919 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-6345 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Camp Merritt State State or recognized territory where the artifact was made. New Jersey Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America Description An account of the resource Camp Merritt, N.J. P.O. address: Weitchpec, Humboldt Co., California. Organization: Headquarters Co., 363rd Infantry, 90th Division. 24 years old. Tribe: Klamath. Drafted Oct. 1917. Not a citizen. military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/7b46735a627cd8a20f822ca1c9b25f08.jpg 62188ded11900f934d1e274a7e7a2f0e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection of American Indian Photographs Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. The Wanamaker Collection is our best-known photo collection. It is comprised of over 8,000 images of Native Americans and related subjects taken between 1908 and 1921. The lead photographer was Joseph Dixon. The university acquired most of the images in the mid-1940s, then in 1975 the museum received 1,700 additional images. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08, 1975-44, 1975-45 Object Object type, represented by lower case word or phrase. Original prints (5x7, 8x10), portfolio prints, enlargements; nitrate negatives, glass negatives and positives. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource “The tepee door” Culture Ethnic designation or tribe of the person/group who made the artifact. Blackfoot Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Prints: 1 Negatives: 1 glass 8 x 10” Image Date Date when image was taken. 1909 Maker The person or entity who/which made the artifact. Dr. Joseph K. Dixon Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Rodman Wanamaker Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08-1954 Type The nature or genre of the resource Still Image Locale City, town or other locale where the artifact was made. Crow Reservation State State or recognized territory where the artifact was made. Montana Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Country Country where the artifact was made. USA Continent Continent where the artifact was made. North America military history native north america photograph https://dlib.indiana.edu/omeka/mathers/files/original/0686794f52e18426a4a26ac9869d5c71.jpg 11a3c7692c9514d1b03e30adf9d4c619 https://dlib.indiana.edu/omeka/mathers/files/original/3162a4d4bbb0fe9f0b922e42aa220165.jpg 47e3e5b1bc06e577ba57331d43dcdefe Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adorned Bracelet Pair Object Object type, represented by lower case word or phrase. metal bracelet set Culture Ethnic designation or tribe of the person/group who made the artifact. Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Open-sided bracelet decorated with metal flowers and bands on either end. Material Primary material(s) of which an artifact is made. metal (Silver) Construction Method(s) or technique(s) used in the construction of the artifact. The bracelet appears to have been forged or cast from a single piece of silver bent into a crescent shape. The components of the bracelet were shaped separately and cast and attached by soldering. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This bracelet set is in very good condition with minimal tarnishing Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-1724 Type The nature or genre of the resource Jewelry Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/0fa8b883ab8119e167c9a1a9b1dda3e5.jpg b0d9aa14b70cccab54a0a628c45e6652 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adorned Necklace Object Object type, represented by lower case word or phrase. multi-level necklace Culture Ethnic designation or tribe of the person/group who made the artifact. Kuchai or Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Silver Necklace with fish and blue beads. The many fish in the necklace represents fertility. The ottoman coins represent wealth Material Primary material(s) of which an artifact is made. Silver, cotton, glass, plastic (beads) Construction Method(s) or technique(s) used in the construction of the artifact. A button-enclosed necklace with fish figures. Above and below the fish are beaded sections as well as coins. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Good Condition, with minimal tarnish and signs of wear Source A related resource from which the described resource is derived Habibullah Akcha Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-0872 Type The nature or genre of the resource Jewelry Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/cc9db88d32f250bcfeb3b22b1b86f35f.jpg 0114324bbd18118659fc0e71f47b2299 https://dlib.indiana.edu/omeka/mathers/files/original/0b3a891ddd12aeb55733d39a76fa00dd.jpg e26c4911e04fa3843d9779e686f9c6c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afghan Dress Object Object type, represented by lower case word or phrase. knee-length dress Culture Ethnic designation or tribe of the person/group who made the artifact. Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a very colorful dress the center of the design focuses on the chest and torso area of the dress. There are beads and a “guli-peron” disc on the back of the sleeves. There are beaded medallions on the sleeves with shisha mirrors. Material Primary material(s) of which an artifact is made. fiber(silk, cotton) Metal(silver), glass Construction Method(s) or technique(s) used in the construction of the artifact. This dress was sewn together with hand-stitched embroidery. The dress is made in several pieces and put together. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This dress is in very good condition with minimal signs of wear or fraying of threads. Source A related resource from which the described resource is derived Meghan Smith Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-0298-1705 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/ced2ade87377247b96f6a447307a7d2e.jpg d9bfdac50d35d9f5deceb1118851dd79 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afghan Dress Object Object type, represented by lower case word or phrase. long-sleeved dress Culture Ethnic designation or tribe of the person/group who made the artifact. Hazaran Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A purple silk dress with golden embroidery. There is a wide golden band used on the hem as well as the waist of the dress. Material Primary material(s) of which an artifact is made. fiber (silk, cotton) Construction Method(s) or technique(s) used in the construction of the artifact. The dress is hand-sewn with golden overlay and embroidery. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Good condition with minor fading due to sun exposure Source A related resource from which the described resource is derived Osman Balbaros Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-8223 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/caacd17e49d74b0e3ded8efa395bb988.jpg 7c8faa907bdd6860f0646c5f45909d4a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wanamaker Collection Archive Object Object type, represented by lower case word or phrase. Approximately 25,000 pages of original documentation associated with the Wanamaker Collection of American Indian Photographs. Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This archive provides context for the Wanamaker Collection images and also provides information on a wide range of topics: photographic practices, department stores as educational facilities, lobbying efforts aimed toward improving Native living conditions and government treatment, and more. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-08 Document A resource containing textual data. Note that facsimiles or images of texts are still of the genre text. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ankle, Henry A. Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. WWQ_di89_001 Type The nature or genre of the resource Document Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. document military history native north america https://dlib.indiana.edu/omeka/mathers/files/original/9ec1d24c25f560bde2b2b3704aabd79d.jpg 352ed47ad077f09d3f9a22e228078635 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 511 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/8d6d2920edbdf9191790b94dd12a77c0.jpg 3789da37cf7129c122cd1f1332163a7e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1024 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 949 https://dlib.indiana.edu/omeka/mathers/files/original/fd474062a3fa454b38880d98938524d4.jpg f4ed63b3477549dcf500d413359b1b56 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/0febef0ee70224e1eccba322c0a56e53.jpg d1e55aa3c598d020831e75dc9627529d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/73d9f1824de2062c5864ae9ba88bef08.jpg 276ad9f5d0c8f1004609a19ae085eb89 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 749 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/a2753d2bd7d59f43c700e0ef897541cb.jpg c494b5193f2ea032b79ca22033038864 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 734 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 Artifact An object of material culture, for instance an object in a museum collection or documented in everyday life. Usually refers to a three dimensional objects (as opposed to images). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource apron Object Object type, represented by lower case word or phrase. apron Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. CLOTHING—Outerwear: Culture Ethnic designation or tribe of the person/group who made the artifact. Seminole Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Multicolored cloth apron with patchwork and two ties. Description An account of the resource Multicolored cloth apron with patchwork and two ties. Garment is constructed of strips of fabric machine sewn together to form a pattern of horizontal bands. The black bottom strip is folded in half and sewn to the strip above to finish this edge. Two strips of black are folded in half and sewn to each of the two vertical edges to finish them with raw edges visible on the back. Each side strip has one row of mustard yellow ric rack appliquéd with yellow thread to it, forming a vertical line. The ric rack begins at the bottom edge of the left vertical strip, continues (without being cut) across the waistband, and continues to the bottom edge of the right vertical strip in one continuous line. The top of the main body of the apron has been gathered and is sewn into a folded over strip of black cloth to finish the edge and form a 15 1/2 waistband. This folded strip extends beyond the waist band to form a tie on each side (22” on right, 21” on the left). Each tie has a seam where the cloth has been sewn on to make the strip longer (the right near the end of the tie, the left near the waistband). These ties could be used to fasten the garment around the waist. The waistband and ties are machine sewn with black thread and are finished with no visible raw edges. The bands that compose the body of the apron are machine sewn together with white thread, with raw edges on the back. From the bottom the design is: a wide band of black with a row of red ric rac appliquéd near the top, a narrow band of white, a wide band of black, red, and mustard yellow, a wide band of green, red, and white patchwork in a version of ‘mountain pattern’, a narrow band of mustard yellow, a wide band of black with a row of white ric rac appliquéd on the bottom and bright pink ric rak appliquéd on the top, a narrow band of green, a wide band of brown, blue, and orange patchwork, diagonal strip and diamond pattern, a narrow band of green, and a wide band of black with bright pink ric rac appliquéd on the bottom. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. created for sale to tourists, outsiders / garment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 29” W Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 16” L Material Primary material(s) of which an artifact is made. cloth(cotton or cotton poly blend) rick rack (cotton or cotton poly blend) thread (cotton or cotton poly blend) Construction Method(s) or technique(s) used in the construction of the artifact. sewn(machine) pieced (patchwork) woven (commercial) Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. applique Maker Culture Culture(s) creating object. Seminole Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. excellent Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1973-18-0003 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. 2110ap/011 Type The nature or genre of the resource object State State or recognized territory where the artifact was made. FL Country Country where the artifact was made. USA Continent Continent where the artifact was made. NA Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2010 RECAT: Jodine Perkins Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. X-patterns were popular in the 1970’s; also “Mountain pattern” (Downs 1995) Cataloging: Consulted References Use this field to list main sources of information. Downs, Dorothy. 1995. Art of the Florida Seminole and Miccousulcee Indians. p.106; p.113; Gainesville: University Press of Florida (on Seminole Dolls) Synthetic fiber: http://en.wikipedia.org/wiki/synthetic_fiber apron https://dlib.indiana.edu/omeka/mathers/files/original/1072c9b27b9b629f55aeb4eb5d5584d6.jpg 6abf18c0fded7c601cd8d2e7fcf0709e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1024 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 683 https://dlib.indiana.edu/omeka/mathers/files/original/9cc9591dd982af891fea7dcc15787067.jpg 75b3f6e3d8796176bdd42342e725f68d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/90fca7ffe5f235a2fa65d98aa9f6c645.jpg a93182d383572288915eda0ea34663a7 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/9508cf95529b528a7490786516dc47e2.jpg b2d2b4680033a1ea0e783926db480dc3 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/3a8634169de7f53e1c78e810d215dbfd.jpg 7390ee822a45b4f304d8f94760b86adc Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 659 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/7c4303514285ca5c2e5c8b2d6ee0182b.jpg dd0934482f14f951595b59e1a10afd17 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/b9dc106118dc7f16e27c6594f4013840.jpg a034c02aaacfec18c4f1e8dabfc45952 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/bed1f6ce963bc266a1096b076db2b405.jpg a531c7ad17e19cbc0d83f8e1bf246f87 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/2b342dfacb2e9149190c78c18e67f5ba.jpg 16698d77b4fbf6eb367489eb00a16d50 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 596 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/925f8c34d84d380652f6e236f163ad7b.jpg fb28fcd8e84a3771795e5804b7be575e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 1024 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 775 https://dlib.indiana.edu/omeka/mathers/files/original/001cae5047046b70ae9f6288ebee7497.jpg 128fce37362a76ee55a348f40958a4f5 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 667 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource apron -w Object Object type, represented by lower case word or phrase. apron -w Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. CLOTHING—Outerwear: Culture Ethnic designation or tribe of the person/group who made the artifact. Seminole Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Multicolored cloth apron with patchwork and two ties. Description An account of the resource Multicolored cloth apron with patchwork and two ties. Garment is constructed with strips of fabric machine sewn together to form a pattern of horizontal bands. The bottom edge is folded once and hemmed leaving a raw edge on the inside of the garment. Two strips of navy are folded in half and sewn to each of the two vertical edges to finish them. The top of the main body of the apron has been pleated and is sewn into a folded over strip of navy cloth to finish the edge and form a waistband. This folded strip extends beyond the 13” waistband to form a navy tie on each side (23” and 20’ long), which could fasten the garment around the waist. The ties and waistband are finished with no visible raw edges. All of these elements are machine sewn with black thread. The navy cotton bands that compose the body of the apron are machine sewn together with white thread, with visible raw edges on the back. From the bottom, the design is a medium turquoise band, a medium lavender band, a wide navy band with a very narrow strip of orange appliquéd near the top, a very narrow strip of light pink appliquéd near the top, a narrow yellow band, a wide band of yellow and red pieced patchwork in a zigzag pattern, a narrow light blue band, a wide navy band with a very narrow strip of orange appliquéd near the bottom and a very narrow strip of light pink appliquéd near the top, a medium orange band, a medium band of light blue and light pink pieced patchwork in an interlocking triangle pattern, a medium red band, a medium orange band, a wide navy band with a very narrow strip of light blue appliquéd near the bottom and a very narrow strip of orange appliquéd near the top, a medium light pink band, a medium jade green band, a medium band of jade green, yellow, red, and white pieced patchwork in a more complex inverted triangle pattern, and a medium navy band with a very narrow band of yellow appliquéd near the bottom of the strip. The appliquéd strips are composed of handmade tape (not cut on the bias) with some loose threads visible on front of the garment. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. created for sale to tourists, outsiders / garment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 32” W Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 22.5” L Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1951 1955 own/col Material Primary material(s) of which an artifact is made. cloth(cotton) thread(cotton) Construction Method(s) or technique(s) used in the construction of the artifact. woven (commercial) sewn(machine) pieced(patchwork) dyed(commercial) Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. applique Maker Culture Culture(s) creating object. Seminole Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. excellent Source A related resource from which the described resource is derived Davis, Hilda J. -donation Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Davis, Hilda J. anthropological/ethnological field Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1984-06-0071 Type The nature or genre of the resource object State State or recognized territory where the artifact was made. FL Country Country where the artifact was made. USA Continent Continent where the artifact was made. NA Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2010 RECAT: Jodine Perkins Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2010 RECAT: Downs 1995 p 98 & p 114- discussed apron form as sewn for sale and possibly introduced or encouraged by Marriett Bedell as a way to expand sales. (p.106 for picture of ‘zigzag’ pattern) Cataloging: Consulted References Use this field to list main sources of information. Downs, Dorothy. 1995. Art of the Florida Seminole and Miccosukee Indians. p. 106. Gainesville: University Press of Florida. Rights Holder A person or organization owning or managing rights over the resource. Indiana University/Mathers Museum https://dlib.indiana.edu/omeka/mathers/files/original/6e4b165e11550817acf5f6de77537e37.jpg 3a7a9eb4170706ce6856dedee759ef03 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 770 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/d733fa7a060d24e7a711c5f72c12a24f.jpg 3ff17f6d3061e882f75df0ad9d560d10 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 565 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/21ddc0bd0563d3154c3a2fc540560d6f.jpg 03c2cdb49e420a444ed1c77076912c3a Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 881 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/faa52cf7d979e1a005bbf9b8c1d9a583.jpg 679b97149019ecadd086aa760d47a37e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/cb912a1a65458f140a399384e5afbf0f.jpg a23afb49b0da25f4617e63ece132beef Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 681 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 Artifact An object of material culture, for instance an object in a museum collection or documented in everyday life. Usually refers to a three dimensional objects (as opposed to images). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Basket Object Object type, represented by lower case word or phrase. Basket Native Name What the artifact is called in the language of the people who used the artifact. sompochee Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. HOUSEHOLD ACCESSORY Culture Ethnic designation or tribe of the person/group who made the artifact. Seminole Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Multicolored round lidded, handled basket with doll head on top Description An account of the resource Multicolored round lidded, handled basket with doll head on top. Flat base constructed of palmetto bark fiber. Sides constructed of open coiled sweet grass stitched together. Sides bow out from base until about 1.5” from top where they come back in two handles, located on opposite sides at the widest point. are made of a single sweetgrass coil integrated into the construction. The handles are wrapped with orange thread, which is the same color thread used in the adjoining coil. The coils are sewn together with decorative stitching that creates continuous vertical lines about 1” apart up the sides of the basket with short, upright-pointing diagonal lines (about 3/8” long) that come off of the left of the vertical lines from the bottom to the top of each coil (about 1/4” diameter). The colors change each four coils, and from the base tot op are lilac, pale pink, dark blue, red, green, orange, dark blue and red. The stitching length of the horizontal lines is fairly even. The rim is just the top sweetgrass coil. The top coil concludes with a gentle taper that produces a seamless ending. The lid is constructed with a flat top of palmetto fiber with 7 coils of sweetgrass sloping down tot he edge. A thin piece of split palmetto is sewn on the underside of the lid, to fit inside the basket rim, with purple diagonal overcast stitching. the lid coils have the same pattern of stitching as the basket, but the diagonal lines point down and to the right. The colors change every two coils, and from the base tot he top are green, orange, and dark blue (with 3 coils). A women’s doll head is sewn to the center of the lid. The body of the head is constructed of palmetto fiber. It is approximately 2: tall and 4 1/2” wide. There are four rows glass seed beads around its neck (from bottom: yellow, orange, red and dark blue), two beaded earrings (from bottom: white, large red, two yellow) and black cloth formed to look like an elaborate Seminole hairstyle. A red mouth and black and white eyes are embroidered on the palmetto bark face. the Bottom of the doll’s head cannot be seen in the underside of the lid. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. store small personal items Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. D32" Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. H11" Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1951 1955 own/col Material Primary material(s) of which an artifact is made. fiber(sweetgrass) fiber (palmetto bark) fiber (cotton or cotton-blend) glass cardboard? fiber (palmetto stem) Construction Method(s) or technique(s) used in the construction of the artifact. coiled sewn Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. bead embroid Maker Culture Culture(s) creating object. Seminole Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. EXCEL Source A related resource from which the described resource is derived Davis, Hilda J. -donation Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Davis, Hilda J. anthropological/ethnological field Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1984-06-0001 Type The nature or genre of the resource Object State State or recognized territory where the artifact was made. FL Country Country where the artifact was made. USA Continent Continent where the artifact was made. NA Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2009 RECAT: Jodine Perkins Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2009 RECAT: Downs p 198-99 Put quote here from book about split palmetto stems Cataloging: Consulted References Use this field to list main sources of information. 2009 Recat: See Mowat, Linda. 1992. “A Guide to Basketmaking.” in Basketmakers: Meaning and Form in Native American Baskets, ed. Linda Mowat, Howard Morphy and Penny Dransart, 5-10 Monograph 5. Pitt Rivers Museum, University of Oxford. pg 9 for information on open coiling technique See Downs, Dorothy. 1997. art of the Florida Seminole and Miccosukee Indians, pg 198-199 on technique for creating split palmetto stems Rights Holder A person or organization owning or managing rights over the resource. Indiana University/Mathers Museum basket https://dlib.indiana.edu/omeka/mathers/files/original/4d53ea4d993da8365a3ff8a5067fe20f.jpg 3e29c47c9ca560339504a6b945d1bd7f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 887 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/bf3e2aeb64d98ad9088f2e3ece7570e9.jpg 231f32a1f7831508b40922356d073f4f Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 439 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/2b95673c674bc788387305764c9a9ebd.jpg 054aec211bf1c77479aa966a83f19c50 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 609 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/b1840b9c5ab783e4f7f1865f40c9b2a3.jpg bcf2b977c4b2c98c041ce97694a388ae Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 879 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/bb9dedd1148276055871bb97e5f879e8.jpg dfd67d5437f55da21b4cad761be83154 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 651 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 Artifact An object of material culture, for instance an object in a museum collection or documented in everyday life. Usually refers to a three dimensional objects (as opposed to images). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource basket Object Object type, represented by lower case word or phrase. basket Native Name What the artifact is called in the language of the people who used the artifact. sompochee Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. HOUSEHOLD ACCESSORY Culture Ethnic designation or tribe of the person/group who made the artifact. Seminole Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Multicolored round lidded basket with doll head on top Description An account of the resource Multicolored round lidded basket with doll head on top. Flat base constructed of palmetto bark. Sides constructed of open coiled sweetgrass stitched together. Sides bow out from bottom, then are straight, then bow back towards rim to create flat top. Two handles, located on opposite sides at the point where the straight sides come in to make the flat top, are made of a single sweetgrass coil integrated into the construction. The handles are wrapped with light blue-grey thread, which is the same color thread as the joining coil. The coils are sewn together with decorative stitching that creates continuous vertical lines about 1 1/2” apart up the sides of the basket with short, upright-pointing diagonal line s(about 3/8” long) that come off to the left of the vertical lines from the bottom to the top of each coil about (1/4” diameter). Each stitch catches a few fibers of the next coil above. The bottom eleven coils are stitched with brown and the top five coils are stitched with light blue-grey. The rim is just the top sweetgrass coil. The top coil concludes with gentle taper that produces an almost seamless ending. The stitching length of the diagonal line is somewhat uneven. The lid is constructed of a flat disk of coiled sweetgrass sewn with the same pattern of stitching as the basket, but the diagonal lines point down and end to the right. The three outer coils are sewn with orange thread and the inner coils with black thread. A thin piece of split palmetto stem is on the underside of the lid, to fit inside the basket rim, with overcast light blue-grey stitching. A women’s doll head is sewn in the middle of the lid, fitting into a hole in the center of the coils. It is approximately 1 3/4” tall and 1 3/4” wide. The body of the head is constructed of palmetto fiber. It has 4 rows of red glass beads around its neck and black cloth formed, probably over cardboard, to look like an elaborate women’s Seminole hairstyle. A red mouth and black and white eyes are embroidered on the palmetto bark face. The bottom of the doll’s head can be seen coming through the underside of the lid. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. created for sale to tourists, outsiders / decorative Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 5.5” W Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 3.5” D Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 3.75” H Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1951 1955 own/col Material Primary material(s) of which an artifact is made. fiber(sweetgrass) bark(palmetto) fiber(cotton or cotton-blend) glass cardboard? fiber(palmetto stem) Construction Method(s) or technique(s) used in the construction of the artifact. coiled sewn Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. bead embroid Maker Culture Culture(s) creating object. Seminole Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. EXCEL Source A related resource from which the described resource is derived Davis, Hilda J. -donation Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Davis, Hilda J. anthropological/ethnological field Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1984-06-0003 Type The nature or genre of the resource object State State or recognized territory where the artifact was made. FL Country Country where the artifact was made. USA Continent Continent where the artifact was made. NA Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2009 RECAT: Jodine Perkins Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2009 RECAT: Cataloging: Consulted References Use this field to list main sources of information. 2009 RECAT: Mowat 1992 p 9 (see 1904-06-0001) Downs 1997 p. 198-99 (see 1984-06-0001) Rights Holder A person or organization owning or managing rights over the resource. Indiana University/Mathers Museum basket https://dlib.indiana.edu/omeka/mathers/files/original/69bec5dba2765b53a67d7d86550b8302.jpg cea9562e51e621394699cb0029a9580d Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 462 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/612ae68217b2e9ba69b287f3de66d569.jpg cdd97994aefe1225497dc48bb273ec8b Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 516 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/2c7658ab09124df3385b9872c355a9df.jpg 8e80c283945b58ee423bab921d4f5393 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 790 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/c13bace0d9d057f2f5f513a4842fbaef.jpg 0cc6b1898f3b1923e674a43364095e3e Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 462 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 Artifact An object of material culture, for instance an object in a museum collection or documented in everyday life. Usually refers to a three dimensional objects (as opposed to images). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource basket Object Object type, represented by lower case word or phrase. basket Native Name What the artifact is called in the language of the people who used the artifact. sompochee Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. HOUSEHOLD ACCESSORY Culture Ethnic designation or tribe of the person/group who made the artifact. Seminole Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Multicolored round shallow handled basket. Description An account of the resource Multicolored round shallow handled basket. Flat base constructe dof palmetto bark fiber. Gently sloping sides are constructed of open coiled sweetgrass and stitched together. Two handles, locate don opposite sides at the rim, are made of a single sweetgrass coil integrated into the construction. The handles are wrapped with dark blue thread, which is the same color thread as the adjoining coil. The coil are sewn together with decorative stitching that creates continuous vertical lines,a bout 1/2” apart at the bottom and 1” at the top up the side of the basket with short, upright-pointing diagonal lines (about 3/8” long) that come off to the left of the vertical lines from the bottom to the top of each coil ( about 1/4” diameter). Each stitch catches a f w fibers of the next coil above. The bottom four coils are stitched in red, the next four in yellow, and the last three in dark brown. the rim is just the top sweetgrass coil. The top coil concludes in a gentle taper that produces a seamless ending. The stitching of the diagonal lines is fairly even. Yellow thread is somewhat faded and stained. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. created for sale to tourists, outsiders / decorative Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. L6" Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. W4.5" Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. H1" Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1951 1955 own/col Material Primary material(s) of which an artifact is made. fiber(sweetgrass), fiber (palmetto bark), fiber (cotton or cotton-blend) Construction Method(s) or technique(s) used in the construction of the artifact. coiled sewn Maker Culture Culture(s) creating object. Seminole Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. V GOOD faded stain Source A related resource from which the described resource is derived Davis, Hilda J. -donation Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Davis, Hilda J. anthropological/ethnological field Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1984-06-0004 Type The nature or genre of the resource object State State or recognized territory where the artifact was made. FL Country Country where the artifact was made. USA Continent Continent where the artifact was made. NA Comments Object Type Information about specific use, origins, meaning, iconography, etc. for this type of object. 2009 RECAT: Jodine Perkins Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2009 RECAT: Jodine Perkins Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2009 RECAT: Mowat 1992 p. 9 (see 1904-06-0001) Rights Holder A person or organization owning or managing rights over the resource. Indiana University/Mathers Museum basket https://dlib.indiana.edu/omeka/mathers/files/original/91193242195d5d5a2e7ff8b71c199a3b.jpg bed8aa81347c978c5b754929d1cce0f2 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 498 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/2f94763490aaf41e73b1a304e59b28e7.jpg f2e01def1b7aad0562cf3a2d854e2ac0 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 554 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/af85cf435401f0a9552c0e753d03f02c.jpg bb1091f6242637063ba5112b0db3f118 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 509 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 https://dlib.indiana.edu/omeka/mathers/files/original/9098f62c17218dfd5e51b4751a65297b.jpg 4e2fc869698010d0b2ad442554115a49 Omeka Image File The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files. Bit Depth 8 Channels 3 Height 618 IPTC Array a:1:{s:7:"caption";s:8:"SONY DSC";} IPTC String caption:SONY DSC Width 1024 Artifact An object of material culture, for instance an object in a museum collection or documented in everyday life. Usually refers to a three dimensional objects (as opposed to images). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource basket Object Object type, represented by lower case word or phrase. basket Native Name What the artifact is called in the language of the people who used the artifact. sompochee Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. HOUSEHOLD ACCESSORY Culture Ethnic designation or tribe of the person/group who made the artifact. Seminole Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Tan oval shallow basket Description An account of the resource Tan oval shallow basket. Constructed of open coiled sweetgrass sewn together with 1/4” wide palmetto stem fiber. Flat base and almost straight sides. Sewing is diagonal and goes from the bottom right to the top left. The fiber is stitched through a few strands of the lower coil and is wrapped around the upper coil. The lacing creates vertical lines on the sides and base of the basket approximately 1/2” apart. The rim is just the top coil. The top coil concludes with a gentle taper over several inches that produces an almost seamless ending. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. created for sale to tourists, outsiders / decorative Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 8” W Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 6.5” D Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1.5” H Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1951 1955 own/col Material Primary material(s) of which an artifact is made. fiber(sweetgrass), (fiber palmetto stem) Construction Method(s) or technique(s) used in the construction of the artifact. coiled sewn Maker Culture Culture(s) creating object. Seminole Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. EXCEL Source A related resource from which the described resource is derived Davis, Hilda J. -donation Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Davis, Hilda J. anthropological/ethnological field Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1984-06-0005 Type The nature or genre of the resource object State State or recognized territory where the artifact was made. FL Country Country where the artifact was made. USA Continent Continent where the artifact was made. NA Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2009 RECAT: Jodine Perkins Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2009 RECAT: Cataloging: Consulted References Use this field to list main sources of information. 2009 RECAT: Mowat 1992 p.9 (See 1984-06-0001) Downs. 1997 p. 198-99 (See 1984-06-0001) Rights Holder A person or organization owning or managing rights over the resource. Indiana University/Mathers Museum basket