3 25 361 https://dlib.indiana.edu/omeka/mathers/files/original/301b7de308a2e5cb085f152092f760a2.jpg d3fed2719804f91ed973a2026ad610f3 https://dlib.indiana.edu/omeka/mathers/files/original/ba5161dc86f0e1c278317be6fe791ae2.jpg 6ef57e33b01ef4a5d829c7da035da79a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bracelet Object Object type, represented by lower case word or phrase. metal bracelet Culture Ethnic designation or tribe of the person/group who made the artifact. Possibly Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a silver bracelet with three rows of balls soldered to the bracelet. There are also flowers soldered onto the sides of the bracelet. There are also square shapes between the flowers on the sides of the bracelet. Material Primary material(s) of which an artifact is made. metal (silver) Construction Method(s) or technique(s) used in the construction of the artifact. This bracelet is possibly cast and soldered together. The design is also punched. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This bracelet is in fair condition. The metal is very tarnished, and the riveted circles are scratched. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-1729 Type The nature or genre of the resource Jewelry Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/cf72712a51742c02e80431fe3c316ed1.jpg a03a2725d1d9de9bc92afb489efb1c36 https://dlib.indiana.edu/omeka/mathers/files/original/b0b99169afb4b80163c0918b7f438682.jpg a12af48d0792463b0129b23b5796939f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Casted Bracelet Object Object type, represented by lower case word or phrase. metal bracelet Culture Ethnic designation or tribe of the person/group who made the artifact. Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This silver bracelet is cast into a decorative shape. Material Primary material(s) of which an artifact is made. metal (silver) Construction Method(s) or technique(s) used in the construction of the artifact. welded, cast, soldered Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The bracelet is in very good condition with minimal tarnish and scratches Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-1854 Type The nature or genre of the resource Jewelry Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/b8d976081362181f8047672402b07c42.jpg d15f59e4c757f494f06160db629d22d2 https://dlib.indiana.edu/omeka/mathers/files/original/e25b6b2c6e0973d1e1bf4a058bcbd947.jpg 027ab4d40ebe90e16a27e8cb5aed7f37 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Reversible Dress Top Object Object type, represented by lower case word or phrase. two-sided dress bib Culture Ethnic designation or tribe of the person/group who made the artifact. Pashtun or Kuchai Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This chest piece would eventually be attached and used as a dress's focal point. There are two different embroidered on the dress portion. Material Primary material(s) of which an artifact is made. fiber (cotton, silk), metal, glass Construction Method(s) or technique(s) used in the construction of the artifact. This bib was pieced together with applied fringe and embellishments. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This dress is in very good condition with minimal signs of wear and loss of mirrors. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-5051 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/2ccf7a2e580c023634632bc1066ba38c.jpg 970c5a5857700086eba5bd8aa7504893 https://dlib.indiana.edu/omeka/mathers/files/original/446dc967ba84b219e82e1a18fb12ac5b.jpg 2cf648f5493044294b5fb17a3d35d2d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Womens Purse Object Object type, represented by lower case word or phrase. drawstring purse Culture Ethnic designation or tribe of the person/group who made the artifact. Possibly Pashtun or Kuchai Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This purse is heavily embroidered with a beaded fringe. The bag is brightly colored with two tassels attached at the corners. Construction Method(s) or technique(s) used in the construction of the artifact. The purse is pieced together from four panels of fabric. There is a beaded fringe around the exterior edge and a beaded strap. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The purse is in good condition. There are signs of typical wear, missing fringe, and a minor tear. Source A related resource from which the described resource is derived Purchased from Afghan trader Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-8039 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/2d6e3a85f3f68982e903b702e385e30a.jpg f72632d272c963be6ca3dd3990724eac Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coined Headband Object Object type, represented by lower case word or phrase. headband Culture Ethnic designation or tribe of the person/group who made the artifact. Kuchai Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a double-band headpiece that is primarily decorated using Iranian riyal coins. There are “flowers” alternating the coins in the top row. Each ‘flower’ has a grouping of beads or a shisha mirror at its center. Material Primary material(s) of which an artifact is made. fiber (cotton, wool), glass(mirrors), coins Construction Method(s) or technique(s) used in the construction of the artifact. This head piece is made with multiple pieces of fabric rolled into bands Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This headband is in good condition with minimal signs of unraveling threads and tarnish on the coins. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-8441 Type The nature or genre of the resource Jewelry Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/c42c2d08757f41da46826455bcfc9faf.jpg 0a013128bb32e39517a3dba76174c407 https://dlib.indiana.edu/omeka/mathers/files/original/f569746ab1ddc5361fa12bde73bf1e1a.jpg 09cb593b40a0a4b9319f9733ecca0064 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Multi-color Coat Object Object type, represented by lower case word or phrase. jacket/overcoat Culture Ethnic designation or tribe of the person/group who made the artifact. Turkman Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a multicolor coat decorated with buttons on the sleeves. This is an oversized heavy coat with embroidered patterns running along the entire coat. There are decorative buttons with fringe attached to the sleeves. Material Primary material(s) of which an artifact is made. fiber(cotton), plastic Construction Method(s) or technique(s) used in the construction of the artifact. This coat is possibly hand-sewn together with different panels of fabric. This is a double-layer jacket lined with a differently printed fabric. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This jacket is in good condition showing some wear. The jacket also has some minor unraveling in multiple locations. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-8500 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/fa9995317873ac7b7563b29fc39ada0c.jpg e0177fc6bbe0bdf4cacafd92b6c3fc8f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Braided Bag Object Object type, represented by lower case word or phrase. bag Culture Ethnic designation or tribe of the person/group who made the artifact. Possibly Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a woven dark orange bag decorated with fringe and beading. There are four rows of fringe across the bag. This bag also has a long fringe hanging off the end with multiple sizes of beads holding them together. Material Primary material(s) of which an artifact is made. fiber(wool), glass/plastic beads Construction Method(s) or technique(s) used in the construction of the artifact. The bag is made of woven wool with beads used as accents in an opposing color. The handle on the bag is braided and tied. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This bag is in fair condition with a few holes and multiple signs of wear, such as frayed threads and minor staining. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-8528 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/473de89e50fb3204986e563ecf892471.jpg b4afc9b813be6994d10c6b23f227b304 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Decorated Purse Object Object type, represented by lower case word or phrase. drawstring purse Culture Ethnic designation or tribe of the person/group who made the artifact. Possibly Uzbek or Hazaran Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a small beaded and embroidered bag with a handle. The main design of the purse is made with beading across the entire bag in a traditional Afghan pattern. Material Primary material(s) of which an artifact is made. fiber (cotton), glass (beads) Construction Method(s) or technique(s) used in the construction of the artifact. This bag is made of multiple panels that are hand-sewn together. The beaded design is also hand sewn with beaded fringe bundles attached at the bottom and in groupings on the side of the bag. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This bag is in very good condition. There is minimal wear with some discoloration in the beads. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-8532 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/4a3cae22f8d2f113058eca53839716b8.jpg b00a3082fa7853029462ee78d46d4ef4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tri-fold Wallet Object Object type, represented by lower case word or phrase. Embroidered wallet Culture Ethnic designation or tribe of the person/group who made the artifact. Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a vibrant embroidered trifold wallet that is secured with metal snaps. The wallet has three distinct patterns embroidered on the different panels used to build it. The pockets on the inside of the wallet are edged. There is also a beaded fringe around the exterior edge of the wallet. The different sections are marked with different colors of beads. Material Primary material(s) of which an artifact is made. fiber(cotton), glass(beads), metal (silver?) Construction Method(s) or technique(s) used in the construction of the artifact. This wallet is constructed with multiple panels of embroidered fabric. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This wallet is in good condition with minor wear and color fading due to sunlight exposure. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-8534 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/cc9db88d32f250bcfeb3b22b1b86f35f.jpg 0114324bbd18118659fc0e71f47b2299 https://dlib.indiana.edu/omeka/mathers/files/original/0b3a891ddd12aeb55733d39a76fa00dd.jpg e26c4911e04fa3843d9779e686f9c6c5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Afghan Dress Object Object type, represented by lower case word or phrase. knee-length dress Culture Ethnic designation or tribe of the person/group who made the artifact. Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a very colorful dress the center of the design focuses on the chest and torso area of the dress. There are beads and a “guli-peron” disc on the back of the sleeves. There are beaded medallions on the sleeves with shisha mirrors. Material Primary material(s) of which an artifact is made. fiber(silk, cotton) Metal(silver), glass Construction Method(s) or technique(s) used in the construction of the artifact. This dress was sewn together with hand-stitched embroidery. The dress is made in several pieces and put together. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This dress is in very good condition with minimal signs of wear or fraying of threads. Source A related resource from which the described resource is derived Meghan Smith Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-0298-1705 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/2375029bcf14c7d25742e6f9403878e5.jpg f4c38196d42a96a68fe3ff3f8b6de5dc https://dlib.indiana.edu/omeka/mathers/files/original/784b93eb119311431d36bb8b6070dcfe.jpg e485a36405a3d7ce45e770622ccc997c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mirrored Tunic Object Object type, represented by lower case word or phrase. tunic-style top Native Name What the artifact is called in the language of the people who used the artifact. kamis Culture Ethnic designation or tribe of the person/group who made the artifact. Baluchi Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a tunic/top that has two set decoration patterns. On the front, there are small mirrors in multiple sizes incorporated into the embroidered design. On the back, the design focuses on zigzag and diamond patterns. There’s a specific embroidered pattern in the lower back of the tunic that helps identify it. Material Primary material(s) of which an artifact is made. fiber(silk, cotton) glass(mirror) metal Construction Method(s) or technique(s) used in the construction of the artifact. This tunic is hand sewn together from multiple separately decorated panels. There are two long braided fiber strands at the back of the neck for a closure method. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This tunic is in good condition, although there are signs of wear such as unraveled threads, discoloration of fabrics, and a few missing mirrors within the design on the front of the tunic. Source A related resource from which the described resource is derived Seref Ozen, Lauren Ammons Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB--0087 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan/Pakistan Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/904cb2e7c1cef329b616471cdc65b844.jpg 135938d34776ea1cf4dd0ba44b33ba20 https://dlib.indiana.edu/omeka/mathers/files/original/9860acd6e228fd710e8b07c7c373edec.jpg caa5c47774de74888c2293902e81e9fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dress front Object Object type, represented by lower case word or phrase. Bib portion of Dress Culture Ethnic designation or tribe of the person/group who made the artifact. Kuchai or Pashtun Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is an orange and purple dress front with pom-poms and shish mirrors. The dress top is heavily embroidered in a diamond pattern with mirrors in the center of the diamond shapes. There are different colo pom poms placed along the main lines of the design of the dress top. Material Primary material(s) of which an artifact is made. fiber( cotton, silk, synthetic), metal, glass(mirror) Construction Method(s) or technique(s) used in the construction of the artifact. This dress top was hand-sewn from a number of separate panels. There is a button fastener in the back which aids in the closure of the back of the top. Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This dress top is in good condition, although there are minor signs of wear such as minimal staining. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-6023 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan/ Pakistan. Continent Continent where the artifact was made. Central Asia https://dlib.indiana.edu/omeka/mathers/files/original/80d641ed9bf7853b5412ac196bb9ac23.jpg 4eb60c1b0abd9b8318053abced555122 https://dlib.indiana.edu/omeka/mathers/files/original/7cad2f0d2597778c507d8cbf8cb11964.jpg 770cc75e77697f7fe5bbb09de001397d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Intricate Beaded Dress Object Object type, represented by lower case word or phrase. dress Culture Ethnic designation or tribe of the person/group who made the artifact. Baluchi or Sindhi Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. This is a multicolor dress with apparent influences from many cultures in the area. The dress has a woven diamond pattern on the upper torso. There is a beaded waistband that has three large, beaded pendants. There is also a triangular beaded portion that hangs down onto the skirt. There is also a metal fringe hanging from the outer layer of the skirt. Material Primary material(s) of which an artifact is made. fiber (silk, cotton), glass (bead), metal Construction Method(s) or technique(s) used in the construction of the artifact. This dress is hand-sewn from multiple panels that were decorated separately and Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This dress is in good condition with minimal signs of wear such as discoloration and unraveled threads. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dee Birnbaum Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. DB-0472 Type The nature or genre of the resource Textile Country Country where the artifact was made. Afghanistan/ Pakistan Continent Continent where the artifact was made. Asia https://dlib.indiana.edu/omeka/mathers/files/original/8f327c2174d8e0fa19de60a63846c7dd.pdf a9fc83a375fe11b3896f2212ba64de76 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Ganado style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Coverings Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Grey woven rug with geometric decoration in black, white, red, and brown with patterned borders along the vertical sides and solid horizontal borders at each end. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. PENDING Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. PENDING Material Primary material(s) of which an artifact is made. Wool, natural and synthetic yarns and dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern with black and beige patterned border. Central design features hourglass and triangle shapes in beige and brown on grey. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Donated by Mary Mathers Petelik and Abby Mathers Wodock Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 2016-03-0013 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Subject The topic of the resource FLOOR COVERING: Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures https://dlib.indiana.edu/omeka/mathers/files/original/57b4980379904cd45f791f15f92b55ff.pdf e08c2339a56512de08a473a4f0ac678d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Two Grey Hills style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Woven rug with grey stepped diamonds outlined in black and white. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 70'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 40'' Wide Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1900-1920 Material Primary material(s) of which an artifact is made. Wool, synthetic yarns Construction Method(s) or technique(s) used in the construction of the artifact. Woven on a vertical loom Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern with dark border, dominated by stepped diamonds. Diamond pattern is outlined in black and white, with crosses, diamonds and chevrons at the center of each grey diamond. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Museum Purchase Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1964-51-0001 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Subject The topic of the resource FLOOR COVERING: Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. https://dlib.indiana.edu/omeka/mathers/files/original/c8a7ee7d95b2d9376c25be3eeaad0c98.pdf 7d8ec62d831edc9c2d39444f45b9b38d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Teec Nos Pos style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Coverings Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Beige woven rug with diamond and double diamond shapes in blue and brown, each outlined with a pattern of white hourglass shapes. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 72'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 48'' Wide Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. Early to mid-Twentieth Century Material Primary material(s) of which an artifact is made. Wool, natural and synthetic yarns and/or dyes Construction Method(s) or technique(s) used in the construction of the artifact. Woven on a vertical loom Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern with dark border. Beige field of diamonds and double diamonds. White hourglass shapes outline the diamonds, and red/green hourglass shapes at their centers. Grey and green bands at either end. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Donated by Crispina and Ian McDonald Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1996-03-0067 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/44f805e1e4e5e77aaa8b9c27aa33982a.pdf adfb9eca74f10c91cc926435f3396e32 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. "Hubbell Revival" Ganado style Rug Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. MM00143.12 Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Woven rug in red, black, and grey with a central checkered pattern, and horizontal bands of diagonal striping above and below the checkered field. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 65.5'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 39'' Wide Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. c. 1910-1920 Material Primary material(s) of which an artifact is made. Wool, bayeta, synthetic yarns or dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand woven on a vertical loom Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Grey woven rug with horizontal patterned bands of decoration in red, black and white. The central design area is checkered with serrate diamonds in red and black. Elsewhere, there are bands of diagonal stripes and white chevrons. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Donated by Abby Mathers Wodock Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This object is from the collections of the Mathers Museum of World Cultures. Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/45a4dd5d05ce8c423ed3fd55cad000a0.pdf 667612b6e2b913bf3fc174569e79047a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Crystal or Wide Ruins Style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Grey weaving with horizontal bands of color, as well as diagonal patterns of checkered black and white, and serrate diamond motifs. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 47'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 31.5'' Wide Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. Early to mid-Twentieth Century Material Primary material(s) of which an artifact is made. Wool, natural and synthetic yarns/dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern: Zones of dense geometric decoration, including stark diagonals and bold color contrasts, set apart by horizontal bands of solid color. Predominantly grey with some white, yellow, brown and black. Maker The person or entity who/which made the artifact. Desbah James Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Elinor and Vincent Ostrom Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 2015-03-0178 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM249.014, CAC#B-23, OC#61 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Catalogued by Emily Condon and Arisa Shibagaki in 2013 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Comments Object History Information about origins, condition, date, etc. of this particular object. Bequest from Elinor and Vincent Ostrom Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/8f27bb07e0a472003bfc9fcac2c4ab93.pdf 59d9c9af6a66b8b2b29698ed0a51d8ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Ganado Style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Large weaving with dark, patterned border and central diamond design in the bold reds and blacks commonly associated with the Ganado style. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 112'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 65.5'' Wide Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. Purchased in 1965 Material Primary material(s) of which an artifact is made. Wool, natural and synthetic yarns/dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom: basic tapestry weave Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern with dark, patterned border. Central design motif is a stepped diamond in red, white, and beige. Stepped triangles in white occupy the border's interior corners. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Elinor and Vincent Ostrom Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 2015-03-0186 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM249.089, CAC#LR-120, OC#112 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Catalogued by Emily Condon and Arisa Shibagaki in 2013 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Comments Object History Information about origins, condition, date, etc. of this particular object. Bequest from Elinor and Vincent Ostrom Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/63831ad5557ec4a27af9c904d2e934c9.pdf 5276dfafeb2359510f486421a5f1e81e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Farmington-Shiprock Yei Style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Pictorial, predominantly orange weaving depicting five figures and several cornstalks. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 52'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 39.5'' Wide Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. Purchased in 1963 Material Primary material(s) of which an artifact is made. Wool, natural and synthetic yarns/dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom: basic tapestry weave Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Pictorial Woven Pattern: Five figures are arranged side-by-side. One has an elongated body that extends along the sides and lower edge of the rug. The figures each hold what could be arrows or spears. Red cornstalks separate each of the figures. Maker The person or entity who/which made the artifact. Emma Bia Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Elinor and Vincent Ostrom Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 2015-03-0184 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM249.037, CAC#LR-033, OC#157 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Catalogued by Emily Condon and Arisa Shibagaki in 2013 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Comments Object History Information about origins, condition, date, etc. of this particular object. Bequest from Elinor and Vincent Ostrom Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/60c152146b300939c39cbc071c30a9b0.pdf 73a10f63b36d508ebe3ea0b43f124307 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Crystal or Chinle Style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Weaving with end-to-end design composed of horizontal bands of solid color: predominantly earth-tones. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 60'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 39'' Wide Material Primary material(s) of which an artifact is made. Wool, natural and/or synthetic yarns, vegetable dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom: basic tapestry weave Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern made up of horizontal bands of yellows, oranges and browns. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Elinor and Vincent Ostrom Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 2015-03-0177 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM249.002, CAC#B-04 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Catalogued by Emily Condon and Arisa Shibagaki in 2013 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This item is from the collections of the Mathers Museum of World Cultures. Comments Object History Information about origins, condition, date, etc. of this particular object. Bequest from Elinor and Vincent Ostrom Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/9c102d39c54338b368ffb6a314e4f642.pdf 7fffa50fd53c221a68dd7c926177fc62 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Wide Ruins Style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Beige weaving with a dark border that features a saw-tooth pattern along vertical edges. Repeated diamond design adorns its surface in salmon, black, and yellow. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 58'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 31.5'' Wide Material Primary material(s) of which an artifact is made. Wool, natural and synthetic yarns, vegetable dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom: basic tapestry weave Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern including black and/or indigo border with saw-tooth decoration along the vertical sides and a double-bar on top and bottom. Nested, brightly colored diamonds repeat vertically across the rug's face. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Elinor and Vincent Ostrom Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 2015-03-0181 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM249.017, CAC#B-29 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Catalogued by Arisa Shibagaki and Emily Condon in 2013 Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This object is from the collections of the Mathers Museum of World Cultures. Comments Object History Information about origins, condition, date, etc. of this particular object. Bequest from Elinor and Vincent Ostrom Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/1b98d4fa2bcd57a310f3ebb00ad5dfe4.pdf 7dcff71c4db9ea17c499cbe55837f9c1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Possibly Wide Ruins or Ganado Style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Beige Navajo weaving decorated with a red and black serrate diamond pattern. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. 1920-35 Material Primary material(s) of which an artifact is made. Wool, synthetic yarns, natural and synthetic dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern includes central diamond design, which is red and black on beige. Smaller decorative elements, like the stepped red squares, are arranged in the negative space. Designs are completed in natural wool colors, with some natural or artificial black and red dyes. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Harold G. Shane Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1988-11-0001 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This object is from the collections of the Mathers Museum of World Cultures. Comments Object History Information about origins, condition, date, etc. of this particular object. Donated by Harold G. Shane Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 64'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 41'' Wide Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/cf7024204422f282808d30ac35de185d.pdf 6dde2d3af5cc77993dad4a6c63aedc40 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. Chinle or Wide Ruins Style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Woven rug with horizontal bands of solid earth tones and zoned diamond patterns. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. o/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 73'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 46.5'' Wide Material Primary material(s) of which an artifact is made. Wool, natural and synthetic yarns, vegetable dye Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. End to end pattern of horizontal stripes and zoned diamond patterns. Vegetable dyes produce earthy greens and yellows. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Elinor Ostrom Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 2015-03-0187 Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM248.18, CAC#LS-40, OC#225 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Comments Object History Information about origins, condition, date, etc. of this particular object. Bequest from Elinor and Vincent Ostrom Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This object is from the collections of the Mathers Museum of World Cultures. Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. Catalogued by Arisa Shibagaki and Emily Condon in 2013 Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Subject The topic of the resource FLOOR COVERING: https://dlib.indiana.edu/omeka/mathers/files/original/76bb9b1f1e87a9f09ef6d98a3231850c.pdf 4b1d6d35b70eb889f25abd8f38b4dc3a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Rug Object Object type, represented by lower case word or phrase. "Germantown" Saddle Blanket Style Rug Native Name What the artifact is called in the language of the people who used the artifact. Dah'iistł'ó refers to both the process of weaving on a loom, and its products. Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 2: FURNISHINGS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Floor Covering Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Brightly colored woven rug dominated by end-to-end serrate diamond pattern. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Do/De: Navajo woven textiles originated as clothing, but are most often used today as floor coverings, or hung on walls as decorative objects. Object Date Date of manufacture, that is, when the artifact was made. The dating technique is the method of establishing the date of manufacture of the artifact. Early to mid-Twentieth Century Material Primary material(s) of which an artifact is made. Wool, synthetic (Germantown) yarns, synthetic dyes Construction Method(s) or technique(s) used in the construction of the artifact. Hand-woven on a vertical loom Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Woven pattern featuring serrate diamonds. Bright colors produced with synthetic dyes. Maker Culture Culture(s) creating object. Navajo Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Dr. and Mrs. Thomas Noble Accession Number Collection and artifact identification number. This system serves to provide each artifact with its own unique number, while organizing the collections for management purposes. 1962-06-0096 Locale City, town or other locale where the artifact was made. Southwestern United States State State or recognized territory where the artifact was made. Arizona/New Mexico Country Country where the artifact was made. United States of America Continent Continent where the artifact was made. North America Provenance A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource. This object is from the collections of the Mathers Museum of World Cultures. Comments Object History Information about origins, condition, date, etc. of this particular object. Donated by Dr. and Mrs. Thomas Noble Rights Holder A person or organization owning or managing rights over the resource. This item is from the collections of the Mathers Museum of World Cultures. Please contact the museum for use rights. Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 54'' Long Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 36'' Wide Subject The topic of the resource FLOOR COVERING: