1 25 361 https://dlib.indiana.edu/omeka/mathers/files/original/a0a3035f1143087c1eb5a34143f2cae9.jpg 4efef0a2f2618e2474c55b7d3ef805cf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Earrings Object Object type, represented by lower case word or phrase. Earrings Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Silver Zuni earrings with turquoise stones and flower motifs. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 1.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver and gold), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The earrings were cast, hammered, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The earrings are in very good condition with the only issues being some general wear and use. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-006 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/e7e7b35b7f083f777f0bdba630227b94.jpg 1989a50a89e8f8ca23defdb17dd86daa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Raindrop Earrings Object Object type, represented by lower case word or phrase. Earrings Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Navajo raindrop shaped earrings with a raindrop shaped turquoise stone in the middle. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 2.3 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 1.8 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (sterling silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The earrings were cast, soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Overlay, Polished Maker The person or entity who/which made the artifact. Arnold and Carleena Goodluck Maker Culture Culture(s) creating object. Navajo Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. These earrings are in excellent condition with no issues visible. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-082 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: On the back of the earrings is an engraved shamrock with the letters "AG" in it. This is the maker's mark of Arnold and Carleena Goodluck. The word "sterling" is also stamped on the back of the earring, showing the metal compound. Cataloging: Consulted References Use this field to list main sources of information. https://galluptrading.com/collections/navajo-arnold-goodluck Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/9ff53327cd2050ffba7e3bb9f07454d6.jpg ac4af626784b3ab4905f0d6524baeb55 https://dlib.indiana.edu/omeka/mathers/files/original/834f914a04c2da721a339c67317281db.jpg dd60ec4a38cbe27aa9a2ccc95cffc55c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Leather Belt Object Object type, represented by lower case word or phrase. Belt Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A leather Navajo belt with metal attachments in various shapes and turquoise stone inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 105 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 6.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver, copper), Leather, Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The belt was cast, hammered, soldered, riveted, and cut. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The belt is in good condition with a few minor issues. The leather is worn from use, there are a few chips in the turquoise stones, the silver is tarnished a fair amount and there is a good amount of verdigris on the metal as well. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-042 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Comments Object History Information about origins, condition, date, etc. of this particular object. Barbara Hanawalt and her brother purchased this at a pawn shop in the 1950s era for $50. She was wearing it in Boulder when an anthropologist offered to buy it. Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/998ca195bbfae965c7989e65a142ddde.jpg 0796236325b7e8c2266bfe5131cb4c42 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Concha Belt Object Object type, represented by lower case word or phrase. Belt Native Name What the artifact is called in the language of the people who used the artifact. Concha belt Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Navajo concha belt with linked oval shaped silver pieces and round turquoise stone settings. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 52 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 1 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The belt was hammered, cut, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Stamped Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The belt is in very good condition with the only issue being mild tarnish throughout the piece, especially around the stamped design. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-045 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Comments Object History Information about origins, condition, date, etc. of this particular object. Hanawalt's mother-in-law bought this in Florida at an antique place. Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Cataloging: Consulted References Use this field to list main sources of information. Southwest Indian Craft Arts by Clara Lee Tanner Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/ca483839654f1ad4dfae8926a3a7dcf5.jpg 1d27bba620fde1f931e242efa6d702ad Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Snake Buckle Object Object type, represented by lower case word or phrase. Buckle Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Zuni buckle with turquoise stone inlay and a snake motif made of silver. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 8.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 6 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver, Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The buckle was cast, hammered, soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Carved, Polished Maker The person or entity who/which made the artifact. Effie Calavaza Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The buckle is in very good condition with only a few minor issues. There is general signs of wear and use, along with minor tarnishing and one stone making the snake's eye is missing. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-033 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-027, MM485-033 State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: "Zuni" and "Effie C" are stamped on the back of the buckle. This appears to be the marking of the maker, as well as the culture of the item. Cataloging: Consulted References Use this field to list main sources of information. https://www.nativeamericanjewelry.com/pr/artist/effie-calavaza Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/911daf614588aa0bfcdc53dee81f2c1f.jpg 976390389c5adb719ac277242980a8b1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Bracelet Watch Object Object type, represented by lower case word or phrase. Bracelet Watch Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A Zuni silver and gold bracelet watch with turquoise stone inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 16 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2.5 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver and gold) Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The bracelet watch was cast, hammered, soldered, stamped, and filled (gold). Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This bracelet watch is in very good condition with the only issues being some general signs of wear and use, along with some scratches on the silver. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-011 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: On the back of the watch race are letters saying 10k gold filled S&M. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/375676f93ac6daaaf61d30bc1e2e1d86.jpg 67a30d526f622997568bfd5515749c93 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Sun Face Earrings Object Object type, represented by lower case word or phrase. Earrings Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Zuni multicolored tiered earrings with various stones depicting the sun face symbol. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 7.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (coral, turquoise, jet, mother of pearl) Construction Method(s) or technique(s) used in the construction of the artifact. The earrings were cast, hammered, bent, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Channel inlay (jet, coral, turquoise, mother of pearl), Polished, Granulation, Filigree Maker The person or entity who/which made the artifact. Roger and Lela Cellicion Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The earrings are in very good condition with some tarnish on the silver and a few small chips in the stones. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-077 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-076, MM485-077, MM485-078, MM485-079 State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: On the back of each earring "R.L.C" is inscribed, denoting these earrings were made by Roger and Lela Cellicion. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/2f79eb0f5335a206dc02093030fbd633.jpg 489dbbfd30087740933fce441a0289dd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Sun Face Ring Object Object type, represented by lower case word or phrase. Ring Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A multicolored circular Zuni ring with various stones depicting the sun face motif. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 2.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2.3 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 2 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise, jet, coral, mother of pearl) Construction Method(s) or technique(s) used in the construction of the artifact. The ring was cast, hammered, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Channel inlay (turquoise, jet, coral, mother of pearl), Polished, Granulation, Filigree Maker The person or entity who/which made the artifact. Roger and Lela Cellicion Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The ring is in very good condition with the only issue being a few small chips in the stones. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-076 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-076, MM485-077, MM485-078, MM485-079 State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: When looking at southwestern native jewelry symbols, I found that the symbol being depicted on this ring is the sun symbol or the "sun face" symbol. When trying to determine the culture of the ring, I found it to be Zuni based on research. The back of the ring has "RLhC" on it, though I could be wrong about the "h." After some research, I believe this to be the maker's mark of Roger and Lela Cellicion. I found this because MM485-078 has "Lela Roger Cellicion" inscribed on the back. Since this ring is a part of the set with MM485-078 and the initials on the back of the ring match their names, it seems safe to say that they are the makers of this ring. Research on Roger and Lela Cellicion also show that they are Zuni. Cataloging: Consulted References Use this field to list main sources of information. https://www.etsy.com/listing/1041651483/vintage-roger-and-lela-cellicion-zuni Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/08e7982512a8c0292d62674edac84e54.jpg 6db886cb1c2392938069393065d656f4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Leaf Pendant Necklace Object Object type, represented by lower case word or phrase. Necklace Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Navajo necklace with flower and leaf pendants, as well as coral and turquoise stones. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 35 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 20 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (turquoise and coral) Construction Method(s) or technique(s) used in the construction of the artifact. The necklace was hammered, cut, soldered, and strung. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Pendant, Inlay (turquoise and coral), Stamped, Beaded Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The necklace is in very good condition with moderate tarnish throughout and mild verdigris around the turquoise settings. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-073 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-072, MM485-073 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Cataloging: Consulted References Use this field to list main sources of information. Southwest Indian Craft Arts by Clara Lee Tanner Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/eb90d181d23a705f15367214e6765815.jpg ba2fe0a01778a356a0ac2552f27742f0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Pin Object Object type, represented by lower case word or phrase. Pin Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A circular Zuni pin with a flower shape in the middle and many small turquoise stones Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 4 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The pin was cast, forged, hammered, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This pin is in very good condition with the only issues being some tarnish and dust. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-068 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/32502a039efc32e61ab1bd87fe7f2618.jpg 12dffdf1ff7590c2b05bb91cb758b92e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Coral Bracelet Object Object type, represented by lower case word or phrase. Bracelet Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Navajo bracelet with coral inlay and flower and leaf motifs. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 6.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 5 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 4.5 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (coral) Construction Method(s) or technique(s) used in the construction of the artifact. The bracelet was cast, forged, hammered, bent, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (coral), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The bracelet is in very good condition with the only problem being some tarnish on the silver. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-064 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/7a7d2740a44994829cee1bf67c534493.jpg e490bcab3ba6e4db9e6b1e06651e0264 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Ketoh Object Object type, represented by lower case word or phrase. Wrist Guard Native Name What the artifact is called in the language of the people who used the artifact. Ketoh Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A Navajo leather ketoh (wrist guard) with stamped silver piece and turquoise inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 21 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 10 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 4 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Leather, Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The ketoh (wrist guard) was cut, glued, laced, hammered, soldered, and cast. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Dyed, Stamped Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The ketoh is in an overall good condition with some issues. There is tarnish throughout the silver and the inner tan leather rectangle has almost completely separated from other leather (glue disintegrated?). Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-060 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: This wrist guard is also called a "bowguard", "gatoh" or "ketoh." According to Tanner, the ketoh has not been commercialized and individuals make the pieces for themselves or others in their community (pg 133, Tanner). Cataloging: Consulted References Use this field to list main sources of information. Southwest Indian Craft Arts by Clara Lee Tanner (pg 132-133) Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/ca270f6128b7aae0115bbe32d173b43f.jpg 963e33e592d5398cf36d15ca4df0cf13 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Shell Necklace Object Object type, represented by lower case word or phrase. Necklace Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A Navajo multi-strand turquoise, shell, and coral beaded necklace with hanging joined strands. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 51 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 35 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 3 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Fiber (cotton), Stone (coral, turquoise, jet, shell) Construction Method(s) or technique(s) used in the construction of the artifact. The necklace was strung, twisted, tied, cut, and drilled. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Beaded (shell, coral, turquoise, jet) Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. This necklace is in very good condition with some general signs of wear and slight discoloration on the string. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-055 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: See page 116-188, 127, and 145 (Tanner) for examples of "chunk bead work" with "jaclah" pendant Cataloging: Consulted References Use this field to list main sources of information. Southwest Indian Craft Arts by Clara Lee Tanner Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/2be2a9ee5b601e8eda287a8d5e8c13be.jpg e1d2f123e74486fd43e88a3a3d33c40a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Beaded Necklace Object Object type, represented by lower case word or phrase. Necklace Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Navajo beaded necklace with two turquoise pendants. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 20 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 14 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The necklace was hammered, cut, soldered, and strung. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Stamped, Pendant, Beaded Maker The person or entity who/which made the artifact. Albert Begaye Maker Culture Culture(s) creating object. Navajo Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The necklace is in very good condition with moderate tarnish throughout and some verdigris on smaller pendant Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-052a Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: On the back of the larger pendant "Begaye" is engraved in handwritten script. A paper sticker has "Albert Begaye" handwritten on it, and another paper sticker has "Pilot Mountain" handwritten on it as well. "Totem Post" is also written on a small silver plate on the back of the pendant. The bag that this necklace is in also includes MM485-052b which is a chain with the same bead pattern. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/c148aeab4abe03425f3fd04118643916.jpg 3efb8a96832266af12ff55e22ebb249f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Bison Bolo Tie Object Object type, represented by lower case word or phrase. Bolo tie Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A Navajo bolo tie with a metal bison head and turquoise stones Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 51 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 6 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise), Leather Construction Method(s) or technique(s) used in the construction of the artifact. The leather part of the bolo tie was braided. The metal parts of the bolo tie were cast, forged, hammered, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The bolo tie is in very good condition- it has a missing piece (a sphere that should be attached to the bottom of one of the aglets) and minor tarnishing. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-050 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: The back of the bison head has "RYYYY LS" written in purple ink. It also appears to have had maybe 3 more "S'" following the 1st but has faded. The back of the clasp has "BENNET PAT. PEND" stamped on the back. A website I found had further information. According to the website, "this name refers to a person who designed and manufactured the first locking bolo slide clip in the mid-1950s and the slides carried this stamp." Originally the stamp also had "C-31" at the end but that disappeared by the mid-1960s. This places the date for this piece to be post mid-1960s. Cataloging: Consulted References Use this field to list main sources of information. https://nativeamericanjewelrytips.wordpress.com/category/hallmarks/bennett-pat-pend/ Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/9c1138507749e846c2a408ddc71f165a.jpg b0a9940c56c21c5939bc9a9c2f1ca8fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Rain Man Bolo Tie Object Object type, represented by lower case word or phrase. Bolo tie Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A braided rope bolo tie with a "rain man" motif made of silver and numerous stones. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 48.9 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 3.8 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Leather, Metal (silver), Stone (coral, jet, turquoise, mother of pearl) Construction Method(s) or technique(s) used in the construction of the artifact. The leather on the bolo tie was braided, and the silver pieces on the tie were cast, forged, hammered, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (coral, jet, turquoise, mother of pearl), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The bolo tie is in very good condition- though there is some minor tarnishing on the metal and a small piece of stone is missing from the right foot of the man. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-049 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Comments Object History Information about origins, condition, date, etc. of this particular object. This was Barbara Hanawalt's first piece in her collection. Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: There is an identical bolo tie listed on a website called shopthrilling.com. It labels that bolo tie as a Zuni piece with the "rain man" motif being shown. It labels the bolo tie on the site as being from the 1970s which indicates this piece could be from around the same time. Cataloging: Consulted References Use this field to list main sources of information. https://shopthrilling.com/products/70-s-zuni-rain-man-inlaid-bolo-tie Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/1f60f0498608d7f3a91209088d44b5ad.jpg ed7774842a70be2e31f7103ef7ecebc5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Naja Necklace Object Object type, represented by lower case word or phrase. Necklace Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A beaded silver Navajo necklace with large rectangular pendants, a silver crescent, and turquoise stones. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 38 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 34 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The necklace was hammered, cut, soldered, and cast. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Pendant, Bead (silver), Engraved Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good condition with moderate tarnish throughout. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-044 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: This necklace includes a "naja" (silver crescent form) typical of Navajo jewelry. Cataloging: Consulted References Use this field to list main sources of information. Southwest Indian Craft Arts by Clara Lee Tanner Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/02ef1aeda062afc2b7cbbb3317a8e6eb.jpg 03f79b7cd165413f08ba7639a405635b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Cross Necklace Object Object type, represented by lower case word or phrase. Necklace Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A turquoise and silver beaded necklace with a cross pendant. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 43 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 33 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The necklace was hammered, cut, soldered, and strung. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Bead (silver), Pendant, Cast (sand), Stamped Maker The person or entity who/which made the artifact. Horace Iule Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. The necklace is in good condition- there is moderate tarnish and verdigris around the settings on the pendant, as well as scratched on the back of the pendant. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-036 State State or recognized territory where the artifact was made. New Mexico Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Ellie Harrison Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: This necklace was signed "H. Iule" on the back of the cross pendant. Horace Iule (1901-1978) was a 3rd generation silversmith. He taught jewelry making at Zuni Day School and was known to be a master Zuni silversmith. Cataloging: Consulted References Use this field to list main sources of information. adobegallery.com (cites The Navajo and Pueblo Silversmiths by John Adair, American Indian Jewelry by Gregory and Angie Schaaf) Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/af4bb463b2335f4f31d3c189ffd1f5fa.jpg 12d29145d545030f04b7437dd3d08f3f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Ring Object Object type, represented by lower case word or phrase. Ring Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Zuni ring in an oval shape with many small inlaid turquoise stones. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 3.3 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 3 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Cloth, Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The ring was cast, hammered, soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good condition- the silver is chipped a bit and there is some tarnish on it. The ring also shows some signs of wear. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-028 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Cataloging: Consulted References Use this field to list main sources of information. Southwestern Indian Arts & Crafts by Tom Bahti Southwest Indian Craft Arts by Clara Lee Tanner Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/41591fee9eb487147a90236b7635f84e.jpg 6340115bac758c7093ccaac8b1d84cd2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Snake Ring Object Object type, represented by lower case word or phrase. Ring Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Zuni ring with turquoise inlay and a snake motif. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 3cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The ring was cast, hammered, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), carved, and polished Maker The person or entity who/which made the artifact. Effie Calavaza Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Good condition- there is a fair amount of tarnish and shows general signs of wear and use. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-026 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Comments Object History Information about origins, condition, date, etc. of this particular object. This ring belonged to the donor's husband. Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: This ring has an identical snake motif and stones that object MM485-032 has. Based on this, I believe that this ring was made by the same person that made MM485-032 which was identified to be Effie Calavaza. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/e283d5d4ee3d6dc3a45703ae9b44780f.jpg 2a11404bc688a0e45abb71a4f56e5277 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Turquoise Earrings Object Object type, represented by lower case word or phrase. Earrings Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. Circular silver Navajo earrings with turquoise inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 3.7 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 2.3 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (sterling silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The earrings were cast, hammered, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), Polished Maker The person or entity who/which made the artifact. Abel Toledo Maker Culture Culture(s) creating object. Navajo Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Excellent condition with no issues. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-020 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: The back of the earrings have "AT" stamped on it. Based on the consulted website, I believe the maker to be Abel Toledo, a skilled Navajo silversmith. Cataloging: Consulted References Use this field to list main sources of information. http://www.art.-amerindien.com/hallmarks/a-indian-native-american-jewelry-marks Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/24f185e807b78ab9e8fc15e5deae2254.jpg 92df501dd4e08bdb201c0fcae76211fc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Buckle Object Object type, represented by lower case word or phrase. Buckle Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Navajo belt buckle with coral and turquoise inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 7.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (turquoise and coral) Construction Method(s) or technique(s) used in the construction of the artifact. The belt buckle was cast, hammered, forged, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (coral and turquoise) and Polished Maker The person or entity who/which made the artifact. RHY Maker Culture Culture(s) creating object. Navajo Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good condition with some tarnish on it. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-019 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: "RHY" is stamped onto the back of the buckle which I think is the initials of the maker. However, the actual name of the maker cannot be located. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/938f245e6068e40c206d2300118bd010.jpg 8b1c1be5652090335c31f6b26163311a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Bracelet Object Object type, represented by lower case word or phrase. Bracelet Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Zuni bracelet with turquoise inlay Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 6.3 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 6.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The bracelet was cast, hammered, forged, bent soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise) and polished. Maker The person or entity who/which made the artifact. CJK Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Excellent condition with no visible issues. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-031 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-030 and MM485-031 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: The back of the bracelet has a maker's mark of "CJK" and an illegible word underneath the monogram. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/d6e4ec1822b3c5ddb4659d0054e5cb7b.jpg bd71284600e4acf7ef24dc3de61b1616 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Zuni Turquoise Ring Object Object type, represented by lower case word or phrase. Ring Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Zuni Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A large oval Zuni silver ring with turquoise inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 4 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 3.3 cm W Dimension 3 The measurements of the object in an imaginary three-dimensional box. Dimension 3 is smallest dimension. Orientation is also indicated when applicable. 1.5 cm D Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver), Stone (turquoise) Construction Method(s) or technique(s) used in the construction of the artifact. The ring was cast, hammered, forged, soldered, and stamped. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (turquoise), and polished Maker The person or entity who/which made the artifact. CJK Maker Culture Culture(s) creating object. Zuni Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good condition with some dust on it. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-030 Set With The accession numbers of the separate artifacts which comprise of a group of integrally related artifacts, such as musical instruments played together in an ensemble. If artifacts are associated only because they were acquired at the same time, such as several similar gourd rattles, these do not qualify for a set with notation. MM485-030 and MM485-031 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: A maker's mark, "CJK Zuni" appears on the back of the ring. However, I cannot find the actual name of the maker. Subject The topic of the resource CLOTHING—Accessory: https://dlib.indiana.edu/omeka/mathers/files/original/3a56222c4cd0b8923b7ccdae81bd0802.jpg 1ececad73d68b427ad0ad8ac04592e51 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Navajo Bracelet Watch Object Object type, represented by lower case word or phrase. Watch Nomenclature Category Major category, from the Revised Nomenclature for Museum Cataloging. 3: PERSONAL ARTIFACTS Nomenclature Classification Term Classification Term, represented by upper case word or phrase, from the Revised Nomenclature for Museum Cataloging. Adornment Culture Ethnic designation or tribe of the person/group who made the artifact. Navajo Brief Description A brief, one-sentence summary description that will enable another person to visualize the type of artifact. A silver Navajo bracelet watch with turquoise and coral stone inlay. Use The purpose for which an artifact was made or, if applicable, the subsequent purpose for which it was used. Personal adornment Dimension 1 The measurements of the object in an imaginary three-dimensional box. Dimension 1 is greatest dimension. Orientation is also indicated when applicable. 6.5 cm L Dimension 2 The measurements of the object in an imaginary three-dimensional box. Dimension 2 is middle dimension. Orientation is also indicated when applicable. 4.5 cm W Image Date Date when image was taken. 7/11/22 Material Primary material(s) of which an artifact is made. Metal (silver) Stone (turquoise, coral) Construction Method(s) or technique(s) used in the construction of the artifact. The bracelet watch was forged, hammered, bent, cast, stamped, and soldered. Decoration Names of the techniques used in the decoration of the artifact. Decoration is defined as something which can be removed (theoretically) without causing the object to lose its structural integrity. Inlay (coral, turquoise), overlay (metal), and polished Maker The person or entity who/which made the artifact. Morty Johnson Maker Culture Culture(s) creating object. Navajo Condition The physical state of an artifact in general terms, followed by a listing of specific damage problems as applicable. Very good condition- there is some tarnish and dust. Collector Collector is the person who originally brought the artifact from its place of origin and/or use. An active process is implied and the collection method tells how and why that artifact came to be collected. Barbara Hanawalt Old Number Any number previously used to identify the artifact, such as catalog numbers from previous owners/institutions, old Mathers Museum catalog or accession numbers, incorrectly assigned catalog or accession numbers, etc. MM485-088 Country Country where the artifact was made. United States Continent Continent where the artifact was made. North America Cataloging History Cataloging activity, year, and name of cataloger. Field may also contain other information regarding cataloging and the history at the museum (e.g. numbering issues) of the object. 2022 Cat: Amber Reider Curatorial/Cataloger Comments Use this field for comments relating to cataloging process or artifact, if these comments do not fit comfortably in the "Comments Object History" or "Comments Object Type" fields. This field may refer to references consulted, as listed in "Cataloging: Consulted References" field. 2022 Cat: The back of the bracelet has the name "Morty Johnson" stamped on it. Several websites selling other pieces by him identify him as a Navajo artist. Subject The topic of the resource CLOTHING—Accessory: