{ "@context": [ "http://digirati.com/ns/timeliner", "http://www.w3.org/ns/anno.jsonld", "http://iiif.io/api/presentation/3/context.json" ], "id": "http://digirati.com/iiif/v3/temporary/manifest", "type": "Manifest", "label": { "en": [ "Chopin, Nocturne in D-Flat Major" ] }, "summary": { "en": [ "This Nocturne was composed in 1835 and is dedicated to Mme. la Comtesse d'Appony. The work alternates between two main ideas (A B A B A B + Coda). The first of these ideas always returns in the tonic with only slight modifications, (suggesting a rondo theme), while the second idea is developmental, moving through several keys. One might interpret the organization of this Nocturne as a rondo, or alternatively as strophic (A A' A'' Coda), in which each strophe consists of two parts (A and B)." ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1", "type": "Canvas", "label": { "en": [ "Untitled Item" ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/list/c1-ap", "type": "AnnotationPage", "items": [ { "id": "http://digirati.com/iiif/v3/temporary/annot/c1-1", "type": "Annotation", "motivation": "painting", "label": { "en": [ "Untitled audio" ] }, "body": { "id": "http://www.dlib.indiana.edu/~jwd/Chopin_nocturne.mp3", "type": "Audio", "duration": 330.73632653061225, "format": "audio/mp3" }, "target": "http://digirati.com/iiif/v3/temporary/canvas/c" } ] } ] } ], "structures": [ { "id": "id-1539276644896", "type": "Range", "label": { "en": [ "Coda" ] }, "summary": { "en": [ "A series of delicate descending leaps in the coda provide a counterbalance to the ascending leaps which characterize the Nocturne's A theme and the upward-striving gestures of the B theme. These chromatically descending gestures are presented over an unchanging tonic pedal tone. \n" ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=244.14554154302672,330.73632653061225", "type": "Canvas" } ], "tl:backgroundColour": "#7ed321" }, { "id": "id-1539276565248", "type": "Range", "label": { "en": [ "B" ] }, "summary": { "en": [ "The B theme features continuous \"double-stops\" (often parallel thirds and sixths) rather than a single melodic line. " ] }, "items": [ { "id": "id-1539276553699", "type": "Range", "label": { "en": [ "b2" ] }, "summary": { "en": [ "The second part of the B theme presents \"con forza\" octave gestures in alternation with simple pianissimo turn figures. Harmonically, this section gradually settles into an Ab pedal, which allows a return of the A theme in Db major. " ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=65.51443175074185,100.60268545994064", "type": "Canvas" } ], "tl:backgroundColour": "#b8e986" }, { "id": "id-1539276417625", "type": "Range", "label": { "en": [ "b1" ] }, "summary": { "en": [ "The B section begins in Bb minor, but the theme is repeated immediately in Eb minor. The theme becomes vigorously energetic as it progresses." ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=34.84288130563799,65.51443175074185", "type": "Canvas" } ], "tl:backgroundColour": "#50e3c2" } ], "tl:backgroundColour": "#9013fe" }, { "id": "id-1539276609013", "type": "Range", "label": { "en": [ "B'" ] }, "summary": { "en": [ "Varied return of the B theme" ] }, "items": [ { "id": "id-1539276515179", "type": "Range", "label": { "en": [ "b1'" ] }, "summary": { "en": [ "Here the B theme is restated in A major--a key shift that is quite striking (Db and A major are related by a tritone). Chopin connects the two key areas by reinterpreting Db as C#." ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=133.72795994065282,166.60786201780417", "type": "Canvas" } ], "tl:backgroundColour": "#50e3c2" }, { "id": "id-1539276590416", "type": "Range", "label": { "en": [ "b3" ] }, "summary": { "en": [ "The melodic material of this transitional section derives from the repetition of an idea found at the tail-end of the A theme: a grace-note octave leap followed by its gradual descent. Simultaneously, a chromatic ascent begins in the bass, moving from G# to D# (respelled as Eb), which then falls to an Ab dominant in preparation for the return of the A theme in Db major. " ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=166.60786201780417,181.57557863501484", "type": "Canvas" } ], "tl:backgroundColour": "#b8e986" } ], "tl:backgroundColour": "#9013fe" }, { "id": "http://digirati.com/iiif/v3/temporary/range/r0", "type": "Range", "label": { "en": [ "A" ] }, "summary": { "en": [ "The serenely simple violinistic A theme of this Nocturne hovers gently over a Db pedal and wide left-hand arpeggiations. " ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=0,34.84288130563799", "type": "Canvas" } ], "tl:backgroundColour": "#4a90e2" }, { "id": "id-1539276445495", "type": "Range", "label": { "en": [ "A'" ] }, "summary": { "en": [ "The main rondo theme returns in Db major. It is only slightly embellished (with double-stop figuration), near the end of the theme. " ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=100.60268545994064,133.72795994065282", "type": "Canvas" } ], "tl:backgroundColour": "#4a90e2" }, { "id": "id-1539276656131", "type": "Range", "label": { "en": [ "B''" ] }, "summary": { "en": [ "B'': Varied return of the B theme. " ] }, "items": [ { "id": "id-1539276624853", "type": "Range", "label": { "en": [ "b1''" ] }, "summary": { "en": [ "b1'': Here the B theme returns in Eb minor. " ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=212.49250148367955,228.44170771513353", "type": "Canvas" } ], "tl:backgroundColour": "#50e3c2" }, { "id": "id-1539276635683", "type": "Range", "label": { "en": [ "b4" ] }, "summary": { "en": [ "This pivotal theme combines aspects of both the A and B ideas, beginning with the upper neighbor gesture of the B theme, but continuing with the pitches of the A theme (F-Eb-Db-F-Ab). A decisive harmonic shift leads to the home key, preparing a important point of arrival (the cadence which accompanies the completion of the work's Urlinie on the downbeat of measure 62)." ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=228.44170771513353,244.14554154302672", "type": "Canvas" } ], "tl:backgroundColour": "#b8e986" } ], "tl:backgroundColour": "#9013fe" }, { "id": "id-1539276599603", "type": "Range", "label": { "en": [ "A''" ] }, "summary": { "en": [ "This forte statement of the rondo theme begins similarly to the others (again in Db major). But after arriving on an unexpected Cb in its fourth" ] }, "items": [ { "id": "http://digirati.com/iiif/v3/temporary/canvas/c1#t=181.57557863501484,212.49250148367955", "type": "Canvas" } ], "tl:backgroundColour": "#4a90e2" } ], "tl:settings": { "tl:bubblesStyle": "rounded", "tl:blackAndWhite": false, "tl:showTimes": false, "tl:autoScaleHeightOnResize": false, "tl:startPlayingWhenBubbleIsClicked": false, "tl:stopPlayingAtTheEndOfSection": false, "tl:bubbleHeight": 55 } }